Ba Da Bing have officially blown my mind yet again, following their 4LP reissues of the epic Night Coercion Into the Company of Witches and The Snowbringer Cult trilogy with an even more ambitious project: reissuing 2009's incredibly rare and overwhelming Daughter of Darkness cassette series as a massive 8LP box set with hand-painted album art (which took months to complete).  While it is not the best Natural Snow Buildings album by any means (no band can make a uniformly great 8-hour album), it is still quite a good one and it is unquestionably their longest, which offers a unique appeal all its own.  There are probably are not too many people who find the prospect of plunging into a seemingly endless rabbit hole of roiling, hallucinatory, quasi-ritualistic drone very appealing, but those who do have probably just found their Holy Grail.
Daughter of Darkness is a curious anomaly within the Natural Snow Buildings catalog for many reasons, its staggering scope being just one piece of the puzzle.  For example, many of its longer pieces seem quite primitive and monolithic by the duo's standards, sounding like rather lo-fi and improvisatory experiments in oceanic, multi-layered guitar noise allowed to unfold until the tape ran out.  While that is not a bad thing at all, it feels like the formative work of a band who had not yet reined in their more indulgent impulses or turned their attentions towards structure and songcraft.
It is not, however, as Solange and Mehdi had already recorded and released at least two of their most beloved and fully realized albums by that point (the aforementioned Snowbringer and 2006's The Dance of the Moon and Sun).  Also, Daughter of Darkness was recorded in 2008, a year of utterly stupefying activity, yielding two separate triple-albums, 6 CD-Rs, and two cassettes.  Given that the duo were already near the top of their game and immersed in a bewildering melange of other projects, Darkness is not a noisy, chaotic, and sprawling monster by accident, inexperience, or youthful over-exuberance.
Consequently, the best way to view Daughter of Darkness is as a conscious attempt to push drone to its furthest possible extreme: this album is far more of an immersive, trance-inducing experience than a mere collection of songs.  In fact, there is nothing resembling a "song" at all, though some of the shorter pieces (particularly the rippling, eerie "The Source") sound very meticulously composed.  Actually, I suspect the entire album was meticulously composed on a grand scale, but that is not readily apparent when I am enveloped in the midst of it, as there are long stretches where it feels like the duo are basically treading water for ten or twenty minutes.
In reality, however, they are just working on a very different time scale than I am used to, as such stretches almost invariably give way to something wonderful that makes the whole journey seem both worthwhile and necessary (like the heartbreakingly lyrical feedback interlude lurking within the often harsh, 45-minute "Devil's Fork").  Also, Mehdi and Solange were just as ambitious with their textures, layering, and detail as they were with Daughter's duration, as they regularly make such an unearthly and apocalyptic racket that it is almost impossible to believe that it is coming from two people rather than some of sort of occultist, extra-dimensional army on the march or a horde of demons clawing their way out of the underworld through an incompetently drawn pentagram.
As awesome as that sounds, Daughter actually evokes quite a few other moods as well, which was a very good move listenability-wise.  In fact, a few interludes can reasonably be described as warm or beautiful, like the gently quavering outro of "Black Pastures" (intrusions of strangled-sounding guitar noise aside) or the lush swells of the surprisingly innocent-sounding "Will You Die For Me?"
In another context, some parts of the album ("Body Double," for example) could probably even be seen as "pretty," but not in this one: Daughter's rare oases of calm are made deliciously tense and uneasy by the fact that they are surrounded by gnarled plunges into the void with names like "A Thousand Demons Invocation" or ancient-sounding funeral processions like "Her Face Is Not Her Real Face."  While many aberrations occur all over the album's brain-frying duration, the balance of the material definitely veers between roiling, wall-of-guitars drone; quasi-occult death marches; and buzzing Eastern strings and discordant flutes.  All of those threads appear on other Natural Snow Buildings albums (and are often better executed there), but the cumulative effect is quite a staggering one nonetheless.
As with most of Natural Snow Buildings' oeuvre, Daughter of Darkness successfully maintains an unbroken and otherworldly illusion of being field recordings of some arcane ritual by a forgotten and vaguely sinister culture in the very distant past. While it is not nearly as clear, sophisticated, and nuanced as their best albums (possibly because the nuance and sophistication is obscured by the smeary, distorted production), it succeeds despite that, as the sheer scope, immensity, and extremity easily eclipse all details of the execution.  The best analogy that I can come up with is this: Daughter of Darkness is less like great, brilliantly realized art than it is like being trapped in a museum that is on fire (while an earthquake simultaneously rages).  There would certainly be beauty, vision, and genius all around me, but that definitely would not be what I remembered about the experience, which would be a lot more lasting, deep, and unique than simply seeing a lot of nice things.
(Note: the CD version of this set includes two very long bonus tracks from the Daughter of Darkness V cassette (2009, Recollections of Knulp), which are very much in the vein of the main album.  I do not think that their inclusion particularly enhances or detracts from the album in any way, but I will say that it is much more convenient to listen to an 8-hour album when you do not need to keep flipping records over. The vinyl set includes only the songs from the original Daughter of Darkness (2009, Blackest Rainbow), so that might be a better bet for feeble types who can only handle 7 hours of heavy drone in one sitting).
 
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