Elliott Sharp shouldn't need much of an introduction, but just in casehe does, just think of him as this bald headed big-nosedcyberpunk-obsessed improvising bassist with a mountain of recordingsand collaborations behind him. He's a mainstay of the New York KnittingFactory scene and one of those musicians whose activities have alwaysbeen on the periphery of my record collection. I've probably heardquite a lot of tracks from him here and there but before getting holdof this I only had one Carbon CD, which I found in a highly unlikelydusty old secondhand shop. This duet recording with the almost equallyprolific drummer Bobby Previte is perhaps slightly more exciting and alittle more freeform than Carbon, and mostly it's hard to believe thatit's just two people playing. They've played together a lot in the pastbut this is their first duo recording and it's obvious they couldprobably kick out deconstructed funky jams like this at the drop of ahat. Their chops are dense yet fluid, and whenever it seems they'reabout to hit a predictable groove, they pull out some new rhythmicthrust that shifts the dynamic. This can occasionally work to thealbum's detriment. For instance: at the end of one track they lock ontoa really cool Can-style hypnosis, only to curtail it prematurely.However, this is only a small niggle as it's quite a breathtakingdisplay of virtuosity that keeps up a high level of momentum and flux,as Sharp fingerhops all over the neck of his eight string guitarbass,plucks a little pedal steel and even blows a bit of bass clarinet.Unless they are overdubbing or more likely laying on delay pedaltricks, it seems he can play clarinet and bass at the same time.Although people who've heard a lot more of Sharp's recordings mighthave become jaded by now, to these ears this sounds fresh and fun. ELLIOTT SHARP / BOBBY PREVITE, "THE PRISONER'S DILEMMA"
Grob
Elliott Sharp shouldn't need much of an introduction, but just in casehe does, just think of him as this bald headed big-nosedcyberpunk-obsessed improvising bassist with a mountain of recordingsand collaborations behind him. He's a mainstay of the New York KnittingFactory scene and one of those musicians whose activities have alwaysbeen on the periphery of my record collection. I've probably heardquite a lot of tracks from him here and there but before getting holdof this I only had one Carbon CD, which I found in a highly unlikelydusty old secondhand shop. This duet recording with the almost equallyprolific drummer Bobby Previte is perhaps slightly more exciting and alittle more freeform than Carbon, and mostly it's hard to believe thatit's just two people playing. They've played together a lot in the pastbut this is their first duo recording and it's obvious they couldprobably kick out deconstructed funky jams like this at the drop of ahat. Their chops are dense yet fluid, and whenever it seems they'reabout to hit a predictable groove, they pull out some new rhythmicthrust that shifts the dynamic. This can occasionally work to thealbum's detriment. For instance: at the end of one track they lock ontoa really cool Can-style hypnosis, only to curtail it prematurely.However, this is only a small niggle as it's quite a breathtakingdisplay of virtuosity that keeps up a high level of momentum and flux,as Sharp fingerhops all over the neck of his eight string guitarbass,plucks a little pedal steel and even blows a bit of bass clarinet.Unless they are overdubbing or more likely laying on delay pedaltricks, it seems he can play clarinet and bass at the same time.Although people who've heard a lot more of Sharp's recordings mighthave become jaded by now, to these ears this sounds fresh and fun.
Elliott Sharp shouldn't need much of an introduction, but just in casehe does, just think of him as this bald headed big-nosedcyberpunk-obsessed improvising bassist with a mountain of recordingsand collaborations behind him. He's a mainstay of the New York KnittingFactory scene and one of those musicians whose activities have alwaysbeen on the periphery of my record collection. I've probably heardquite a lot of tracks from him here and there but before getting holdof this I only had one Carbon CD, which I found in a highly unlikelydusty old secondhand shop. This duet recording with the almost equallyprolific drummer Bobby Previte is perhaps slightly more exciting and alittle more freeform than Carbon, and mostly it's hard to believe thatit's just two people playing. They've played together a lot in the pastbut this is their first duo recording and it's obvious they couldprobably kick out deconstructed funky jams like this at the drop of ahat. Their chops are dense yet fluid, and whenever it seems they'reabout to hit a predictable groove, they pull out some new rhythmicthrust that shifts the dynamic. This can occasionally work to thealbum's detriment. For instance: at the end of one track they lock ontoa really cool Can-style hypnosis, only to curtail it prematurely.However, this is only a small niggle as it's quite a breathtakingdisplay of virtuosity that keeps up a high level of momentum and flux,as Sharp fingerhops all over the neck of his eight string guitarbass,plucks a little pedal steel and even blows a bit of bass clarinet.Unless they are overdubbing or more likely laying on delay pedaltricks, it seems he can play clarinet and bass at the same time.Although people who've heard a lot more of Sharp's recordings mighthave become jaded by now, to these ears this sounds fresh and fun. - Parent Category: Reviews
- Category: Albums and Singles
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