Hefty
The direction of the latest five-song EP from Scott Herren as Savath + Savalas is in keeping with 2000's 'Folk Songs for Trains, Trees and Honey' in that the groundwork of electronica, sampling and live performance bleeds perfectly into each other and still gives off somewhat of an organic feel. "Rolls and Waves of Ignorance" opens the disc with a nice wash of swelling minor chords and percussion under climbing upright bass lines and melodic tenor saxophone, which weave throughout. The mood is tranquil yet somber and somewhat meditative, and, as the title may suggest, with an almost freejazz-type statement to it. "Paths in Soft Focus" grooves along nicely with some quirky keyboard and guitar arpeggiation and long bass tones which are all anchored by the solid drumming of Johnny Herndon (Tortoise, Isotope 217, A Grape Dope). One of the more splendid pieces of music I've heard lately would be "Folk Song for Cello," thanks in part to its brilliant arrangement and orchestration. Building from a plucked cello progression, acoustic guitar harmonics, accordion chords and a hammer dulcimer (!), the tune settles in to a laid-back groove of synth bass, tight drums and playful keyboard and vibe flourishes. "Decatur Queen" goes from repetitive acoustic guitar, upright bass and quietly squelching percussion to a ripping snare line that drives the tune into a full-sounding romp of rhythmic keyboards and wah guitar, complete with layers of horns while closing off the disc, "Rolls and Waves of Acknowledgement" brings the EP full-circle. This track follows the same compositional style as the opener, only more sparsely arranged and with the instrumentation of fuzz guitar, bowed strings and a fuller bass sound. Ironically enough, "Acknowledgement" sounds quite dark in comparison to "Ignorance." Way too short at just over seventeen minutes, this highly recommended EP may have you checking out the various other projects Mr. Herren has on the go at the moment (Prefuse 73, Delarosa + Asora) until another full length disc makes its way out there.

 

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