Music should never be judged purely. It should be judged on how 'wrong'or how 'right' it feels in the ears of them who listen. This may not bea reason why V/Vm have taken the trouble to simultaneously release twovery different selections of 'good things' which they claim areactually the same. Both discs have twelve tracks with the same titles.Previous plunderous releases enabled by the VVMCPS laws such as 'SickLove' might be aptly described as corny, but make no mistake it's wheaton the cover of these two. This is pure germ of V/Vm - remember theearliest V/Vm 12" releases or the Fat Cat split with Third EyeFoundation and that'll give you some idea of what to expect from the CDwith the regular yellow wheat. If I wanted to be cheeky I could tellyou that this is what it would sound like if V/Vm helped Aphex Twinwithout doing any hacking, but I know Jim's sickly traumatised by thedeath of the racist granny robot so I'll try not to mention AFX and hisinfluence again. Whatever, this is the sound of V/Vm distilled to pureessence of wheat beer hoedown direct from the mythical school thatplays records with wooden styli. The inverted blue wheat disc is likethe imagined brick bashing your head the next day in hangover city. Myguess was that it's the same tracks but crunched up through distortionand ring modulation and all that fun stuff, but someone in the knowsays this is not so, and the two CD's are not exactly the same lengtheither. In fact there's so much of that digital processing on the blueone that even though its massive robot noise approaches all consumingnuclear meltdown the sound seems to run a bit thin at times. Obviouslythe blue one is the one for noise heads to hear, just don't mentionMerzbow. A lot of it actually sounds like it could be mashed uprecordings of explosions. "The View Below Me Was Always the Same" isthe deceptively titled intro to each CD. Yellow is Caretaker type organswells. Blue is a discordant ring modulator sweep punctuated byexplosions. "The Truth is Dead" is the conclusion they reach before theunderwater Aphex beat excursion "Some Things Look Better Baby." Sorry Iforgot I said I wouldn't mention that Twin again. This far into theblue disc and it's deafening machine grind all the way until completelyfucked relentless deaf disco splatters brains. The idea is probablythat the yellow one is right in that its more conventionally tuneful,but wrong in that this kind of thing is not expected of V/Vm; blue iswrong in that it's a big noise but right in that it confirms V/Vm'sreputation for making big cacophony. But how did it make me feel? Theblue one made me feel like a daffodil in a rainstorm but the yellow onemade me feel like a witch in beat. With all this hack lack and wheatygoodness V/Vm will be claiming they're serious artists next. But ofcourse they always were? samples:
