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JD Twitch presents "So Low"

So-Low by Various.  Vinyl Double LP, CD.

Front 242, Tuxedomoon, Eric Random and more not-disco classics for the dancefloor.

JD Twitch has done more than most to improve our record collections this year, introducing us to some incredible post-punk rarities on his Optimo Music compilation [Cease & Desist] and releasing an inspired intercontinental collaboration featuring young musicians from Glasgow, Ghana and Belize on his Autonomous Africa imprint.

For his next trick, Keith McIvor is going back to his roots with a compilation of club favourites from his earliest days behind the mixer. "So Low is an occasional night at The Poetry Club in Glasgow where I play some of the music I played when I first started DJing back in 1987," McIvor explains.

"At that time the audience I played to mostly loathed what I was playing and rarely danced, but then shortly after, when house music arrived, I found a different audience who actually liked to dance."

At the request of his wife, and some friends who were too young to hear these songs in the club at the time, he now runs the So Low night as an excuse to give records by the likes of Front 242 and Chris & Cosey another airing. "It has an extremely enthusiastic audience, a joyous atmosphere and is the antithesis of what a club in Scotland playing this music nearly 30 years ago would have been like," he explains.

The So Low compilation focuses on some lesser known stars of cold wave, from UK and European minimalists like P1/E, Colin Potter and Gerry & The Holograms, to US industrial band Hunting Lodge and avant-garde San Francisco collective Tuxedomoon, as well as a number of French and Belgian acts such as Siglo XX, Front 242, Marc Verhaeghen’s The Klinik and Clair Obscur.

Teaming up with The Vinyl Factory for the releases, McIvor has also enlisted contemporary cold-wave fans Powell and Helena Hauff to provide remixes for their favourite tracks on the compilation, which seems like a very good idea to us.

Check out the tracklist below, and look out for the compilation on February 19 on 2xLP, CD and digital, with the remixes following soon after.

More information can be found here.


  • John Bender – ‘Victims of a Victimless Crime’
  • Hunting Lodge – ‘Tribal Warning Shot’
  • Throbbing Gristle – ‘Discipline (Berlin)’
  • Front 242 – ‘Kampfbereit’
  • The Klinik – ‘Moving Hands’
  • P1/E – ’49 Second Romance’
  • Colin Potter – ‘Power’
  • Eric Random – ‘Fade In’
  • Conrad Schnitzler & Wolfgang Seidel Meissner – ‘Fabrik’
  • Gerry & The Holograms – ‘Gerry & The Holograms’
  • Chris & Cosey – ‘Passion’
  • Hard Corps – ‘Porte Bonheur (Remix)’
  • Holger Hiller – ‘Das Feuer’
  • Siglo XX – ‘Dreams of Pleasure’
  • Clair Obscur – ‘Toundra’
  • Tuxedomoon – ‘No Tears’

678 Hits

The Tapes, "Selected Works 1982 - 1992"

Selected Works 1982 - 1992 by The Tapes.  Vinyl Double LP.

Ecstatic offer a fascinating, often dizzying insight to the primitive industrial minimalism of Italian siblings, Giancarlo and Roberto Drago, a.k.a. The Tapes, via Selected Works 1982 - 1992 sourced from original tapes and pressed to vinyl for the first time ever.

Following on from Ecstatic’s issue of "mail artist" Danielle Ciullini’s Domestic Exile Collected Works 82-86, this set surveys a blind-spot in most people’s knowledge of early '80s Italian underground music, framed against a backdrop of the Anni di Piombo, or Years of Lead - a period of domestic political turmoil between the late '60s and early '80s - and the mushroom shadow of nuclear war.

Like their international tape-scene allies, The Tapes reacted to this world thru a matrix of mono- synths, drum machines, microphones and 4-track recorders, mostly recording/experimenting ideas direct-to-tape in one take and making a virtue of their lo-fi set-up’s infidelities and imperfections - randomness and mistakes were embraced rather than discarded - whilst absorbing the counter-cultural influence of William Burroughs or Throbbing Gristle, and the sci-fi dystopia of J.G. Ballard and John Foxx.

These 21 tracks, drawn from 10 different, limited tape releases, perfectly distill a wandering, weirdo spirit, ranging from the funereal swagger of Tanz Fabrik and the darkwave hip-thrust of The Day of Silence to freeform, motorik trajectories such as Time Out of Joint and singular enigmas like the Actress-esque bobble of The Wait and Falso Movimento B2’s weightless, hyaline spindles.

Collected and compiled by Alessio Natalizia (aka Not Waving) and remastered by Matt Colton, Selected Works 1982 - 1992 represents a decade of modest but searching and instinctively grooving experimentation of the rarest, precious and compelling kind.

As Giancarlo Drago explains:

“The Tapes was an unplanned experience, an unplanned need to express myself.  Looking back on this music I wonder sometimes how I did it - the whole process from the concept to the completion. Everything I do now seems trivial and obvious and I just end up aborting the idea. And exactly for this reason I think that everything has its time, with a beginning and an end...”

More information can be found here.

4118 Hits

Charlemagne Palestine, "Godbear" reissue

Godbear by Charlemagne Palestine

"The first vinyl release of Charlemagne Palestine‘s Godbear, a 1987 solo piano recording originally scheduled to sit alongside Sonic Youth and Swans in the catalogue of Glenn Branca‘s Neutral Records but eventually released on CD by the Dutch Barooni label in 1998. Although Palestine has worked in an enormous variety of media, his long form performances for solo piano are perhaps his most acclaimed works. Palestine immersed himself in the study of overtones throughout the 1960s, working first with carillons and then with electronic synthesis, searching for the 'golden sound.'  Beginning in the early 1970s he continued his exploration of the complexities hidden within seemingly simple tones and intervals on the Bösendorfer Imperial Grand Piano, the ‘Rolls Royce’ of pianos. With the piano’s sustain pedal constantly depressed, Palestine hammers out rapidly repeated notes, allowing a complex cloud of overtones to rise above the percussive texture of the struck keys. Initially working with simple intervals such as octaves and fifths, Palestine gradually expanded the harmonic range of his piano performances over the years, while still retaining their ecstatically single-minded nature. Revisiting his signature piano style in 1987 after several years focusing on visual art, Godbear presents three distinct variations that demonstrate the development of his piano music after the classic recordings of the early 1970s.

Occupying the entire first side, "The Lower Depths" stages a slow descent from the piano’s mid-range to the Bösendorfer’s cavernous additional low octave, building into a thundering swarm of booming overtones. Breaking entirely with the stereotype of clinical minimalism, Palestine’s journey to the depths embraces passages of darkly romantic melody before slowly ascending to its starting point. The version of "Strumming Music" performed here condenses the developmental arc of the piece into eleven minutes, fanning out from a single octave to a complex harmonic wash that calls to mind Palestine’s enthusiasm for Debussy and Ravel. "Timbral Assault" is like an evil twin of "Strumming Music," transforming its insistency and harmonic complexity into aggressive intensity and creeping dissonance, foreshadowing Palestine’s later collaborations with Christoph Heemann. A classic release, and one that, because of the variety of approaches surveyed within, serves as an ideal introduction to Palestine’s ecstatic and mysterious sound world" –Francis Plagne.

Remastered and cut by Rashad Becker at Dubplates & Mastering, Berlin. Presented in a deluxe gatefold sleeve designed by Stephen O’Malley.

More information can be found here.

4083 Hits

"Outlier: Recordings from Madagascar"

Outlier: Recordings From Madagascar by Various.  Vinyl LP.

This collection is an impeccable and crystalline assortment of beautiful music from the deep southwestern provinces of Menabe and Tulear in Madagascar, recorded and assembled by Charles Brooks. Charles has made many friends in these lesser-travelled regions over the past 20 years. Outlier: Recordings from Madagascar represents a compilation of his more recent encounters (2011-2012).

"Madagascar is an island that would bleed into obscurity if not for the rhythm of its name and the mysterious tailwind that follows it. Filled with natural wonder, it’s a land where places, conversations, and names are spoken with a liquid tongue, where people and setting come together to create a unique array of music and culture. Sites can become extraordinarily charged with an unseen presence where heavy air, summoned spirits, and a transformative energy collapse natural constraints of place. The Malagasy call this mingling of forces ‘maresaka’—a permeating vibrational aura. Maresaka pulls you in and places you in the moment, to participate through a saturation of sounds, smells, and colors. When caught inside this kind of atmosphere, levity comes; you release your anchors of self-control. Beautiful unfettered music surfaces. Here, that is to say where I’ve been brought to listen, music lives and moves.

The artists represented in this compilation play, and their music has many different roles—both natural and supernatural. Music can be performed as much as it can be recorded, but here it’s mostly played. These exceptional artists share within such practice.”

- Charles Brooks - 2015

(Limited Edition LP comes with full-size insert of text and photographs by the compiler Charles Brooks)

More information can be found here.

3624 Hits

AMM, "AMMusic" reissue


Black Truffle is honoured to present the first vinyl reissue of the classic debut album from AMM, AMMMusic. Coinciding with the 50th anniversary of its recording in 1966, this reissue makes one of the cornerstones of the experimental music tradition available again in its original form, replete with Keith Rowe’s beautiful pop art cover and the terse aphorisms by the group that served as its original liner notes. A testament to the interaction between the experimental avant-garde and the countercultural underground, the album was originally released on Elektra, recorded by Jac Holzman (the label’s founder, responsible for signing The Doors, Love, and The Stooges) and produced by DNA, a group that included Pink Floyd‘s first manager Peter Jenner. (Pink Floyd paid tribute to AMM’s influence on their improvisational sensibility with the track ‘Flaming’ on their debut album, named after the piece that occupies AMMMusic’s first side, ‘Later During a Flaming Riviera Sunset’).

Remastered and cut by Rashad Becker at D&M Berlin and presented in an exact replica sleeve of the original 1966 release by Stephen O’Malley.
More information can be found here.
3744 Hits

"Cold Waves of Color: Volume 3"

Cold Waves of Color - Volume 3 by Various.  Vinyl LP.

"Blinding 3rd volume of wave obscurities sourced from hard or impossible-to-find tapes originally issued in the early-mid ‘80s! Color Tapes again reveal a hitherto unheard slice of British garage cold wave recordings ranging from certifiable dancefloor aces to synth escape pods and integers between.

We’re spoilt for highlights, taking in Duke Of Disrespect’s taut, jabbing electro stunner "You Tell Lies (Banging Away)" alongside the Hypnobeat-style drive of Disintegrators’ "Oscillations" and the cold, emotional pull of Silicon Valley’s abstract instrumental "Holborn Station 3 am, 3rd January 1982" on the front, whilst the other sparks up killer dancefloor material in the razor sharp 808s and synth voices of "Club Paris" by Beserk In A Hayfield (big stars of the first 2 volumes), and the roiling analogue psychedelia of Stereo Machines & Kinesis.

No mistake; this is bona fide essential business for fans of early wave music."

-via Boomkat

3768 Hits

Kerridge, "Fatal Light Attraction"

"Kerridge returns to Downwards in 2016 with the custom-built electronics of Fatal Light Attraction following last year’s incursions on his own Contort label.

The project premiered at Berlin’s Atonal 2015 edition, featuring Kerridge working alongside Andrej Boleslavsky & Maria Júdová to create an intense, kinetic shadowplay synched as an illusive counterpart to the music and performance.

As Kerridge's 3rd long player, it marks a more fluid, or effluent, refinement of his sound, blurring the boundaries between organic audio sources and custom-constructed synths to flooding the senses with waves of bristling, oxidising industrial tones and coruscating texturhythm seemingly intent on separating flesh from bone.

It’s evil stuff, all seven tracks of it, forming a closed feedback system of guttural, choking frequencies and cardiac arrhythymatics."

-vai Boomkat

3697 Hits

Tim Hecker, "Love Streams"

Love Streams by Tim Hecker

Tim Hecker has revealed details of his latest album, and first record for 4AD.  The Canadian composer will release Love Streams, on 8th April 2016.

Love Streams takes its cues from the avant-classical orchestration and extreme electronic processing of his previous full-length, 2013’s Virgins, but shaped into more melancholic, ultraviolet hues.  Inspired by notions of 15th century choral scores (particularly those by Josquin des Prez), transposed to an artificial intelligence-era language of digital resonance and bright synths, the album was assembled gradually, with layers of studio-tracked keyboards, choir and woodwinds being woven into the mix, then molded and disfigured through complex programming.  Like hearing some ancient strain of sacred music corrupted by encryption, Hecker admits to thinking about ideas like "liturgical aesthestics after Yeezus" and the "transcendental voice in the age of auto-tune," during its creation.

The Love Streams sessions took place throughout 2014 and 2015 at Greenhouse Studios in Reykjavik, Iceland – where parts of both Virgins and Ravedeath, 1972 were tracked – with Hecker reuniting with the same crew of collaborators from Virgins (Kara-Lis Coverdale, Grímur Helgason) and bolstered by the Icelandic Choir Ensemble, whose vocal arrangements were scored by Icelandic composer Johann Johannsson.

The title of Hecker's new work can be interpreted any number of ways – erotic, technological, spiritual – although his own conception is appropriately vast, calling it "a riff on the ubiquity and nihilism of streaming of all forms of life."  Now we stream more than we love.  Nowadays music too frequently resembles a product, or white noise.  With a career spanning fifteen years, Tim Hecker belongs to a select camp actively resisting this undertow, this reduction in significance.

More information can be found here.
4168 Hits

Surgeon, "From Farthest Known Objects"

From Farthest Known Objects by Surgeon.  Vinyl Double LP, CD.

This is the seventh Surgeon album.

"While exploring new production techniques using old and unlikely hardware, the results were so unusual that I really had the sense that these pieces of equipment didn't actually create these sounds, rather they were in fact some kind of elaborate reception device that allowed me to tune into transmissions from distant galaxies. The music I could hear was actually the received transmissions of Pop Hits from those Distant Galaxies that were being played on their radio stations. I quickly recorded all that I could before losing the transmission. I consulted with Dr. Andrew Read, the astrophysicist with whom I recorded Guitar Treatments in 1999. He has worked on the discovery of the most distant galaxies and astronomical objects in the Universe. Together we came up with a possible list of where these musical transmissions may have come from."

-via Forced Exposure

4046 Hits

Final, "Black Dollars"

Final – Black Dollars 2LP

"The legendary JK Broderick reprises his lushly romantic Final alias for Downwards with an expanded reissue of 2010's My Body is a Dying Machine offered to those who missed it first time around.

Now featuring eight tracks instead of the original five, Black Dollars hits a rich vein of ambient dream-pop that has always been an integral, if quieter part of Broderick's oeuvre since even before Godflesh was born.

Foggy highlights of the original EP such as the looping, blooming noise ecstasy of Gravity and the mind-sweeping guitar strokes of A Slight Return are now supplemented with the blown-out glory of The Eternal Dreamer and the majestic MBV-style swell of Flow River Flow and the vaulted electro-acoustics of The World is Not Waiting For You to make up an epic trip for the road or bedroom."

-via Boomkat

3720 Hits

Roly Porter, "Third Law"

Third Law by Roly Porter.  Vinyl Double LP, CD.

"Roly Porter zooms out to super macro levels of sidereal physics in Third Law, his debut for Tri Angle and most impressive solo album to date in the wake of Life Cycle of a Massive Star and his formative work with Vex’d.

Eight tracks describes a cataclysmic chain of cosmic events with fathomless attention to detail and a dizzying sense of meter appropriate to the breadth of his compositional and conceptual scope.

Leaving the dancefloor/earth as a speck of dust floating in his rear-view, he evacuates mind/body into a noumenal dimension of near-symphonic energy transfers between interrelated elements of rhythm, bass, and sound design shaped according to his own laws of physics.

In effect it recalls the flaring cinematic scope of Vangelis as much as Iancu Dumitrescu’s pursuit of a spectral music, and likewise the shuddering electro-acoustic masses of his Subtext label-mates, Emptyset and Paul Jebanasam, whilst also paralleling the dark matter investigations of The Haxan Cloak and Fis’s polymetric, psycho-acoustic ecosystems for Tri Angle."

-via Boomkat

3792 Hits

Josephine Foster, "No More Lamps In The Morning"

No More Lamps In The Morning by Josephine Foster.  Vinyl LP, CD.

Josephine Foster's No More Lamps In the Morning is a new folk route, a stripped down starsailor vector connecting heller to highwater. Foster, on nylon string guitar, and husband Victor Herrero, accompanying on Portuguese guitar, together weave intimate readings of songs spanning Foster's songwriting career including selections from recent albums This Coming Gladness (2008) and I'm a Dreamer (2013) and back to Born Heller (2004).

Foster's new route is a free, chromatic music, a tuneful montana of mind--an expansive harmonic space dominated by Rif mountain on the horizon. As highwater as the music is, as broad the stylistic palette of the musicians, the music really exists in service of the lyrics. Two of the songs on No More Lamps are poems by Rudyard Kipling and James Joyce given musical settings by Foster. The rest arguably are musical settings of her own poems strengthened in a fiery crucible of guitars (and on 2 tracks Gyða Valtýsdóttir's cello) in which dissonant notes bend and quaver as wirefork embers, dying without affecting the glowing tonal fire which unites contrary forces in a Moroccan speakeasy.

She and Herrero have performed, for an audience of burros, concerts of Federico Garcia Lorca poems set to music. A music of wandering and a music of roots. An impermanent tradition passed down for generations. Let your loved ones know. ~ Written by Chris Davis

More information can be found here.

3838 Hits

La Monte Young & Marian Zazeela, "The Dream House"

La Monte Young & Marian Zazeela - Dream House 78'17

This classic minimal music album is now available again on vinyl for the first time since the '70s.

La Monte Young, widely acknowledged as the father of musical minimalism, is one of the most influential contemporary composers. Yet he has strictly monitored his own discography and his music is rarely heard. Born in a log cabin in rural Idaho in 1935, Young became a key figure in the New York underground art scene of the early 1960s. He made vital contributions to the Fluxus movement and initiated the use of lofts as performance venues. Most important of all, his exploration of sustained tones, unorthodox tuning, high volume and long duration changed the course of twentieth-century music and ushered in new ways of listening.

This LP, initially issued on the French Shandar label in 1973, is a crucial document, preserving two manifestations of Young’s pioneering creative imagination. Each side stretches out to the standard length of an entire long-playing record. Listening to the sounds captured in each groove you are lifted out of routine temporality into a prolonged and personal here and now, an intimate kind of time that no clocks can measure.

On the first side is a performance by the Theatre of Eternal Music, the group which Young formed specifically to realise his radical musical conception. The name was coined in February 1965 to indicate that this ecstatic droning music had neither beginning nor end, that it came from and returned to a state of silence, where it lingers in its full potential until some musicians play its component tones once again. The group’s line-up, which changed over the years but always featured Young and his partner Marian Zazeela, boasted such luminaries of new music as Tony Conrad, Terry Riley and John Cale. Cale carried lessons learnt from Young into his work with the Velvet Underground, and through that seminal group to new generations of indie rockers and noise experimentalists.

On this recording the voices of Young and Zazeela are combined with the trombone of Garrett List and the trumpet of Jon Hassell, now more widely known through his work with Brian Eno. Although the immediate impression created by the music is that it changes little, close listening reveals intricate activity in the high harmonics where unexpected patterns and phantom melodies skitter across the surface of the music’s enveloping drone. Young and Zazeela developed their vocal technique through intensive study with North Indian singing master Pandit Pran Nath, and traces of that influence can be heard in their subtle ornamentation of the sustained tones.

Sine waves provide the basic threads that hold together The Tortoise, His Dreams And Journeys. Sine waves unadorned form the Drift Study on the second side of the LP. Such pieces were conceived as continuous sound environments. Since 1962 Young has nurtured the notion of a Dream House, in which such work might be installed, playing continuously and taking on a life of its own. To a seated listener this Drift Study appears a very pure form of minimalist musical drone, but move around the space in which the piece is playing and you will hear dramatic variation in the loudness of different frequencies, while your movement will itself alter the structure of air molecules in the room, affecting the way the piece is heard. It’s a fascinating probe into the nature of sound, hearing and spatial awareness.

The Shandar label, under the musical direction of French musicologist Daniel Caux, produced a small but select  catalogue. It includes recordings by Albert Ayler, Terry Riley, Sun Ra, Philip Glass, Cecil Taylor, Steve Reich and Charlemagne Palestine. During the early 1970s this was the cutting edge of new music, and today these recordings are still challenging, uplifting and revelatory. This reissue preserves the original artwork, an integral part of that special Shandar magic but also a fine example of the design sense and calligraphic grace that Marian Zazeela has brought to the presentation of La Monte Young’s singular music.

"My own feeling is that if people aren’t carried away to heaven I’m failing," -La Monte Young in 1966

More information can be found here.

4679 Hits

Current 93, "The Moons at Your Door"

The Moons At Your Door by Current 93.  Vinyl LP, CD.

The Moons At Your Door consists of two pieces, "The Moons At Your Door" and "There Is A GraveYard That Dwells In Man." All images on the vinyl and CD editions reproduce paintings by David, which illustrate one of the stories in his forthcoming anthology of supernatural fiction, which is also titled "The Moons At Your Door," and is published by Strange Attractor Press.

The CD edition is cosily tucked away in a digipak gatefold sleeve. The painting on the back of the LP sleeve differs from the painting on the back of the CD sleeve.

More information can be found here.

5219 Hits

"The Moons at Your Door: An Anthology of Strange Tales Selected by David Tibet"


An anthology of strange fiction and hallucinatory tales, The Moons At Your Door collects chilling stories by many innovators of the weird whilst drawing attention to little-known and shamefully underrepresented or forgotten scribes of the macabre.

The Moons At Your Door collects over 30 tales, both familiar and unknown from:

Robert Aickman, Algernon Blackwood, DK Broster, AM Burrage, RW Chambers, Aleister Crowley, Elizabeth Gaskell, WW Jacobs, MR James, LA Lewis, Thomas Ligotti, Arthur Machen, Guy de Maupassant, Perrault, Thomas De Quincey, Saki, Count Stenbock and HR Wakefield. The volume also includes extracts and translations by the author from Babylonian, Coptic and Biblical texts alongside poems and fairy tales.

The book’s cover features artwork by David and design by Ania Goszczyńska; the frontispiece also reproduces a painting by David.

About the editor

As founder of the Ultimate Hallucinatory SuperGroup Current 93, David Tibet’s work as an artist and songwriter is widely known. His song cycles present a rich vein of ethereal imagery, arcane reference and the supernatural, creating their own sound-worlds of heart-felt and mysterious poignancy. The Moons At Your Door presents both a skeleton key to these domains and a gateway to the world of supernatural fiction.

David Tibet says about the book:

"I fell in Love with The Moons whom I had heard and seen at my door when I was a young boy in Malaysia. I have brought together, in this work, many of the short stories and texts that have made me what I am and what I will be, and it gives an insight into my Spheres for those who wish to read what formed me. I have never tired of these works, which still move me profoundly, and I will never will."

More information can be found here.

5006 Hits

Pinkcourtesyphone & Gwyneth Wentlink, "Elision"

Pinkcourtesyphone reaches out and touches someone… in this case an international call with Dutch harpist extraordinaire, Gwyneth Wentink.

Wentink weaves her magic on the triple harp, a replica of a harp from around 1600 made of 3 rows of strings instead of the more common single row. The effect is a multi-timbral coalescence of mood, a conversation between layers.

Pinkcourtesyphone thoughtfully folds, manipulates, and merges the gossamer resonances of the strolling fingers of Wentink under and over a hazy sonic shroud of worn romance and phobophobia.

This spiralling composition is created for endless heavy rotation/background consumption for an anxious and medicated society prone to ambivalence.

pinkcourtesymuse: M.Staudte

dedicated to P. Raben

“what is this ‘me’ ?” — M.Staudte

More information can be found here.

4374 Hits

M. Geddes Gengras, "Two Variations"

Two Variations by M. Geddes Gengras.  Cassette tape.

Two Variations marks the return to Umor Rex of the Los Angeles based musician & producer M. Geddes Gengras, following his two volumes of "Collected Works" from 2013 and 2014. The two pieces here are the result of Gengras' continuous exercises and obsession with his modular synthesizer, yet (technique aside) Two Variations is a new statement, the reinforcement of MGG's prowess in this area, and how through these machines, he is able to build harmonic music pieces, contours between the electronic collage and concrete music.

'The first side of this tape is an edit of the first two run-throughs of a patch that I had been conceptualizing for a while before I majorly rearranged my system to accommodate this obsession. Four voltage-controlled oscillators (Make Noise Music STOs) are controlled by the output of a four-stage shift register (synthtech e102) which takes a single sequence of voltages and distributes them (in the style of a round) across the four voices. The e102 is being fed a long sequence from an Antimatter Audio Brainseed. A single clock controls the sequence speed, the shift register's 'action', and a gate sequencer (Noise Engineering Zularic Repetitor operating in a probability mode) which in turn activates four AD envelopes (Intellijel Quadra) to open the four channels of a Make Noise Quad Multi-Mode Gates module which is mixing the four voices of the VCOs. The 'delay' in the shift register (essentially how many clock pulses it takes for a note to advance to the next output) is modulated by random voltage from a Make Noise Wogglebug. The end result is two pairs of marimba mallets attached to a pair of dice. The b-side is a soundboard recording of a performance utilizing this patch, among others, from the same period.'

More information can be found here and here.

3818 Hits

Bremen, "Eclipsed"

Eclipsed by Bremen.  Vinyl Double LP.

Bremen return with a new double-LP of glacial electronics, strung-out drone-punk and smouldering space-rock minimalism.

Following the release of their self-titled debut on Skrammel in 2013, the Swedish duo of Jonas Tiljander (Brainbombs) and Lanchy Orre (Brainbombs, Totalitär) joined the Blackest Ever Black fold with last year’s Second Launch. If the mood of that record was brooding and stygian, its monochord intensity unfaltering, then Eclipsed, their equally sprawling new set, could be construed as a warmer, more dynamic and variegated offering. Perhaps. There are still passages that are heavier than a death in the family. Still a staunch obsession with the consciousness-altering power of repetition.

The band’s points of departure are specific: a particular organ sound from J.A. Seazer 1970s' recordings, the squalid alien guitar tone of Chrome, the cranked, psychic roar-out riffage of Hawkwind, the melancholic mode of Swedish jazz pianist Jan Johansson, minimalism from La Monte Young to Eleh, "cold eighties electronic sound," and sloppy, lo-fi psychedelic rock from the likes of Pärson Sound and Träd Gräs och Stenar. Tiljander’s icily poised synth/organ drones and the grieving cosmic howl of Lanchy’s guitar dominate the landscape, but their instrumental palette has also expanded to include various percussion treatments, saxophone, strings, dissolved vocal fragments. Their exploratory jamming, overdubbing and dub-savvy mixing yields a music of unbelievable eloquence and physicality.

Eclipsed is another masterpiece of black hole psychedelia from one of the greatest underground rock’n’roll units on the planet. No serious void-worshipper’s collection is right without it.

More information is available here.

3687 Hits

Eleh/Tara Jane O'Neil split

Sound sculptures and gongs by Harry Bertoia unite the sides of this split LP from Tara Jane O'Neil and Eleh. Packaged in deluxe letterpress printed jackets in an edition of 800. The first 300 copies are on metallic gold vinyl.

O'Neil's composition was commissioned by Venessa Renwick for her Medusa Smack video installation (originally screened in 2012 at the Oregon Biennial). The piece is partially comprised of sounds recorded by Harry Bertoia on his own Sonambient sound sculptures, as well as a recording Tara made of Athanasius Kircher's Bell Wheel at the Museum of Jurassic Technology.

Eleh's side consists of 100 gongs synthesized on a Serge modular system to honor the centennial of Bertoia's birth in 2015.

More information can be found here.

4325 Hits

"Senegal 70: Sonic Gems & Previously Unreleased Recordings from the '70s"

Senegal 70: Sonic Gems & Previously Unreleased Recordings From The 70's by Various.  Vinyl Double LP, CD.

Four years in the making, in partnership with Teranga Beat (the current leading label for Senegalese music), Analog Africa proudly offer an insight into the musical adventures that were taking place in the major Senegalese cities during the '60s and '70s. This compilation reflects the unique fusions of Funk, Mbalax, Cuban Son and Mandigue guitar sounds that transformed Dakar into West Africa's most vibrant city.

It all started in 2009 when Adamantios Kafetzis travelled from Greece to Senegal with a brand new tape machine that he used to digitize the musical treasures he had discovered in the city of Thiés. These treasures took the form of reel tapes, and had been recorded by sound engineer Moussa Diallo, who had spent the previous four decades immortalising, onto magnetic tape, the bands that would perform in his club, the legendary Sangomar.

300 Senegalese songs that nobody had ever heard before were discovered - five of them were selected for this compilation.

Thanks to its history of outside influences, Senegal - the western point of Africa - had become a musical melting pot. Cuban and American sailors had brought Son Montuno from Cuba, Jazz from New Orleans and American soul tunes: sounds that were swiftly embraced and adopted by urban dance bands and intuitively merged with local music styles.

One band in particular excelled at this fusion. 1960 marks the formation of Star Band de Dakar, a milestone that left an indelible imprint on Dakar’s musical landscape. Indeed, the whole country was soon grooving to their intoxicating mixture of Afro Cuban rhythms and Wolof-language lyrics.

The 1970s brought a new generation of stellar bands; Le Sahel, Orchestre Laye Thiam, Number One de Dakar, Orchestra Baobab, Dieuf Dieul de Thies and Xalam1 who fused traditional Senegalese percussion instruments such Sabra, Tama and Bougarabou with organs and keyboards, giving birth to new hybrids. Merging the folkloric and the experimental, these sounds, embraced by the youth, took centre stage and gave the previously dominant Cuban music a run for its money.

With this burst of musical and artistic creativity, driven predominantly by the modern vision of President Senghor, Dakar began attracting international stars. The Jackson Five, James Brown, Tabou Combo (Haiti), Celia Cruz (Cuba) and an array of African stars like Tabu Ley Rochereau (Congo), Manu Dibango (Cameroon) and Bembeya Jazz (Guinée) joined in with the local scene, improvising jam sessions and bringing new flavours to a music scene that was always open to new inspirations and influences. Johnny Pacheco immortalized his passion for the city with a song called "Dakar, Punto Final."

The comprehensive booklet that comes with the CD - 44 pages and with the double LP - 12 pages LP size - is a precious document attesting to the decades of transformation that led to modern Senegalese music. Featuring biographies of music producers and a legendary record cover designer, as well as the life stories of all the groups represented here, the booklet also includes a fantastic selection of photos that have never seen before.

More information can be found here.

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