A real treat for the burgeoning ranks of A Hawk And A Hacksaw fans, this strictly limited EP includes the first fruits of the duo’s blossoming relationship with a group of extraordinarily talented Hungarian folk musicians, who have come together under the name The Hun Hangár Ensemble to tour Europe with AHAAH this summer. Consisting of eight newly recorded and songs, both original and traditional, the EP serves as an introduction for both the listener and the artists themselves as they get to know each other, providing a platform from which music and ideas can evolve.
 
In addition to the CD, a 20-minute bonus DVD (An Introduction To A Hawk And A Hacksaw) documents the last two years of almost continuous touring by the original duo of Jeremy Barnes and Heather Trost, with behind-the-scenes insight into their travels across Europe, as well as some great live footage captured (by director Dave Herman) in Albuquerque and Santa Fe, New Mexico. Anyone not yet au fait with AHAAH’s blistering but delightfully intimate live performances would do well to sample some of the fun…
 
Jeremy and Heather’s first ensemble work came in 2006: their acclaimed third album, The Way The Wind Blows, was recorded with the help of celebrated Romanian brass band Fanfare Ciocarlia and fellow Albuquerque resident Zach Condon of Beirut.
 
Late in 2006 Jeremy and Heather, making an exploratory trip to Hungary, discovered Fonó, a music shop, venue and centre for Hungarian folk music based in the capital Budapest. Here they met musicians fluent not only in traditional Hungarian folk, but also in jazz and minimalism, with a real hunger to make original music using the palette of musical styles that they had acquired, and The Hun Hangár Ensemble was born.
 
Béla Ágoston, an open minded and highly influential character within the Budapest music scene, brings expertise on many an instrument including Hungarian bagpipes, the clarinet and the alto saxophone. Ferenc Kovács, who has played with Archie Shepp amongst others, was recruited for his outstanding ability on trumpet and violin. Zsolt Kürtösi’s talents lay with the upright bass and experience in traditional Hungarian and Transylvanian folk and klezmer, while a young maestro of the cymbalom (a dulcimer-like instrument central to traditional Hungarian music), Balázs Unger, completes the group. [For the European tour, the group will be augmented by British percussionist Alex Nielson]
 
Jeremy already had in mind the songs he wanted to record – a mixture of traditional Hungarian, Serbian, Romanian and klezmer melodies, as well as new compositions by himself and Heather - and brought rough drafts when he joined the ensemble to record in Budapest in December 2006. The Ensemble had just a week to lay down their parts before the tracks were brought back to AHAAH’s Albuquerque base for Jeremy and Heather to add their sections, once again supplemented by members of Beirut.
 
The songs were carefully chosen to showcase the individual prowess of each of the six musicians, in ensemble pieces (such as ‘Ihabibi’), duos (‘Kiraly Siritas’, featuring violin and cymbalom) and solo pieces (the virtuoso cymbalom of ‘Vajdaszentivány’). Perhaps most impressive of all is ‘Zozobra’, which features only Balázs (cymbalom) and Jeremy (everything else), and sounds like it ought to be soundtracking Buster Keaton…
 
There will be just 4,000 individually numbered copies of this release made available worldwide, in special gatefold card packaging, though it will also be available as a digital download worldwide from April 30.
 
The UK tour starts on May 5 in Oxford, and the ensemble will be playing around Europe throughout the summer. You can find an e-flyer for the UK tour here: http://www.theleaflabel.com/ahaah/flyer.html and a full list of tour dates on the Leaf website.
 
STOP PRESS: UK show with Fanfare Ciocarlia at the Barbican in London (May 30) just confirmed!
 
1.             Kiraly Siratás  (Trost)
2.             Zozobra  (Barnes)
3.             Serbian Cocek  (traditional, with additional melodies by Barnes/Trost)
4.             Romanian Hora and Bulgar  (traditional) live, somewhere in Europe, 2006
5.             Ihabibi  (traditional, with additional melodies by Barnes/Trost)
6.             Vajdaszentivány  (traditional Hungarian melodies)
7.             Oriental Hora  (traditional)
8.             Dudanotak  (traditional Hungarian bagpipe melodies)
 

A Hawk And A Hacksaw:

            Jeremy Barnes  (accordion, drums, glockenspiel)

            Heather Trost  (violin, viola, cello)

The Hun Hangár Ensemble:

            Béla Ágoston  (Hungarian bagpipes, clarinet, alto saxophone)

            Zsolt Kürtösi  (upright bass)

            Ferenc Kovács  (trumpet, violin)

            Balázs Unger  (cymbalom)

with special guests:

            Mark Weaver  (tuba)

            Zach Condon  (trumpet on 'Oriental Hora', ukelele, mandolin)

            Paul Collins  (bouzouki)

 

A Hawk And A Hacksaw – The Way The Wind Blows press:

 
“first-class folk”  The Guardian
 
“ambitious, ethnically rich… suffused with Eastern flavours, his
kaleidoscopic approach – from mariachi brass to klezmer to European
traditionals – is vivid and startlingly diverse. There’s something
experimental and faintly trippy too. ‘God Bless The Ottoman Empire’ could be
George Harrison’s ‘Within You Without You’ snaking through an ancient
Turkish bazaar”  4/5 Uncut
 
“a glimpse of a different kind of music, one that’s both unexpected and
unfamiliar, and yet richly rewarding. Magnificent”  Dotmusic
 
“music that starts in Eastern Europe, then stomps through every tradition
nearby… a passionate affair”  Stool Pigeon
 
“a captivating ragbag mixture of styles that blends Barnes’s meandering,
vaudevillian songlines with plangent melodies of violinist Heather Trost”
The Daily Telegraph
 
“a fascinating experiment that leaves you wishing more rock bands would show such adventure”  The Times
 
“Barnes and Trost obviously have a real feeling for the music and an
instinctive way of shaping it, building something quiet and unique… should
become required listening for attempting all such fusions”  fROOTS
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