Adam Wiltzie and Dustin O'Halloran's latest offering is a rather lean one, but it is surprisingly beautiful and satisfying nonetheless.  Atomos VII offers up essentially just one new song (a short piece from the forthcoming Atomos full-length) backed by an old outtake and a lengthy Ben Frost reinterpretation of the title piece.  All are enjoyable, but it is the Ben Frost collaboration that elevates this brief EP into something more than just a teaser of what is to come.
The Atomos album (due this coming fall) is a score to a dance piece choreographed by the Royal Ballet's Wayne McGregor, an enthusiastic fan of AWVftS's debut.  While it is impossible to say what the rest of that album will sound like, "Atomos VII" sounds almost exactly how I would expect a new Winged Victory piece to sound, as the aesthetic leap from "neo-classical business-as-usual" to "dance score" is virtually a non-existent one for Adam and Dustin.  In fact, the only truly significant change is that "Atomos VII" is entirely devoid of piano, opting instead to augment its warm, serene drones with nothing but a languorously unfolding series of string swells that slowly builds to a crescendo (before, of course, dissipating once more into tranquil ambiance).
The rest of this brief release is rounded out by an outtake from the duo's debut ("Minuet for a Cheap Piano, Number One") and the aforementioned (and comparatively lengthy) Ben Frost collaboration.  The prosaically titled "Minuet" delivers exactly what it promises: a lovely, understated solo piano piece, albeit one floating in a warm haze of ambiance.  More importantly, it makes perfect sense as a companion piece for "Atomos VII," ably furthering this EP’s themes of simplicity, elegance, fragility, and understatement.  The same cannot be said for Frost's stab at re-envisioning the title piece, but "Greenhouse Reinterpretation" works quite wonderfully as a densely roiling and dynamic counterbalance.  Ben is an unexpected participant in this endeavor, as he is not someone I normally associate with quiet or subtle music, though he has worked with McGregor before.  Everything he touches these days sounds great, however, as he has a distinct knack for bringing out the best in anyone fortunate enough to collaborate with him.  That trend continues unabated with "Greenhouse."
Despite its brevity, I think I actually prefer Atomos VII to Winged Victory's debut...or perhaps precisely because of its brevity (and its variety).  While it certainly seems to end too soon, I find myself immediately starting it again as soon as it ends, whereas the self-titled full-length felt a bit too one-dimensional and overlong for me to fully embrace.  It is hard to say how much of this EP's success is due to its truncated length and the presence of Frost and how much is due to Winged Victory's evolution as a band, as all are significant, but I suppose that riddle will be answered when the full-length Atomos eventually surfaces.  In any case, it will have a tough act to follow, as Atomos VII is the rare teaser EP that completely succeeds as its own self-contained release.
 
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