Silber
The many styles of Jon DeRosa are on full display these days, with new albums from Pale Horse and Rider and this project being released so close to each other. Where DeRosa is getting a lot of press these days for PHaR, it is Aarktica that started his journey into somber melodies, though for his latest, it seems the more song-like structure of the former informs the latter. Pure Tone Audiometryrefers to a hearing test that DeRosa had when he lost the hearing in his right ear several years ago. It is also the most rock-oriented of DeRosa's releases. Where previous Aarktica recordings were primarily drone and buzz, and PHaR very acoustic and downbeat, this music is full-sounding, almost playful in places, and very mapped-out. Sounds appear and disappear, spliced in and out with the skill of a surgeon, and everything dances around your ears like it was born to be there. The chilling vocals on the opening track almost drown out the science film wild track, and altogether it sounds like a chorus of technology, humanity, and the otherworldly. Elsewhere, the electro-pop returns, with electric guitar, programmed beats, and the sullen but liquid voice of DeRosa gracing the other tones. Then, real drums snap into focus, and the sound of a full band, something unheard of Aarktica releases, fills the speakers and pulses with raw energy. The harmony chorus vocals all over the record breathe real life into this material, so much so that it alone almost eclipses all his other work. This is not to say that DeRosa has left behind his old devices, as"Snowstorm Ruins Birthday" and "Water Wakes Dead Cells" clearly display. He has, however, found a growth, a leap forward, that was not expected, but certainly most welcome.
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