A reissue of an extremely LP from 2007, with an extra 28 minute bonus track, Chain Shot is an accurate title for this extremely lo-fi disc of junky metal, violent raw frequencies, and the complete exploitation of analog technology. Rather than being simply a blast of noise, it is instead a study of textures, as rough as they may be.
The LP side-long title track is an aptly titled excursion into metallic violence. It opens with dirty loops and junk metal rattling that are all pushed up on the low end of the frequency spectrum. The loops remain the focus, giving an awkward yet discernable rhythm with flanged stabs at irregular intervals. At full steam, the best comparison would be being within a large metal drum, filled with rocks and scrap metal, as its tumbling down a steep hill. After a lengthy study of tape hiss, the second half of the track focuses less on the physical sounds and more on tones and feedback. This also is given an ungodly bass boost that pushes it into the traditional overdriven grind of harsh noise, with an extremely subtle bit of metal percussion remaining.
The opening horn blast of "Execution Dock" is definitely jarring, a quick burst of multi-tracked trumpet abuse that quickly drops out into a ragged decaying loop of awkward brass. Personally, I’d have liked a bit more of the mutant-core jazz elements to stick around, but it does drop quickly into a stuttering analog loop. As the loop goes on, more horns enter, though much more quiet and restrained, groaning like a sick sheep. Though the horn loop decays away to allow some maxed out tape hiss and bassy percussive thuds, it never fully goes away, remaining up through the harsh noise mid section and into the final fragments of sound.
The third track, "Medusa," is exclusive to the CD and clocks in almost as long as the prior two tracks combined. At 28 minutes, it is given a lot more room to develop as a piece, starting from a barely audible hiss that slowly gets louder and louder, eventually being met with a bassier undercurrent. Static kicks in and is passed through a variety of filters and overdrives, and the old standby of water sloshing sounds appear as well. The track ends with squeaky squelches of noise and what resembles a leaf blower off in the distance. It isn’t a bad track, but it definitely does feel like a "bonus track" compared to the original Chain Shot material, which is much more varied and dynamic in its nature.
One thing that is definitely noteworthy on this album is simply the rawness and the grimy nature of the sound: everything sounds like it’s being played off cassettes that have been neglected in storage for decades. The original material is definitely what shines here, and it is definitely worthy of receiving this wider release, and while the bonus track is somewhat lacking in comparison, it is sill a bonus, and functions just fine in that capacity.
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