At first reference, this could easily end up pegged as a Pan Sonic side project, given that Ilpo Väisänen is one of the three members of Angel, but the music itself does not paint itself in that way, and other than the use of some textural electronic elements has no auditory connection with his other band. Don't take that as a slight against this project at all, it just an entirely different animal that, unfortunately, opens with a misstep that isn't disastrous, but isn't a high point either. The remaining three quarters, however, more than make up for it.
This misstep is the opening "Bones In The Sand," which tries to ape the current trend of Sunn O))) styled frozen monolith guitar riffs that become the focal point for the listener, drowning out the more nuanced guitar playing and electronic punctuation.The sound is admittedly less bleak and dark than what the robed ones usually release, but it also lacks their sense of theater and exaggeration, so rather than subwoofer rocking caveman riffing, it is more just repetitive chords.As the mix shifts to the more spacious and subtle electronic textures near the end, the level of interesting sounds also begins to increase.
The three remaining tracks that comprise the remainder of the disc more than make up for the doldrums of the opener, however.The rest of the album is more of a lurking, tension filled nod to film score ambience.Both "Kalmukia-The Discovery, Wiring, Invasion" and "Effect of Discovery, Test, Alarm, Catastrophy" are supported by thick, tangible drones of strings that layers of bizarre electronic manipulations are built upon.The former is overall very moody: buzzes of electronics sound like locusts waiting in the distance as the track slowly craws through its near 20 minute duration, becoming more and more tense as time elapses.The latter favors high pitched tinnitus bursts and other unidentifiable textures that somehow evoke a sense of being frozen in time, cold shards of digital sound enveloping the mix.
The concluding "Aftermath:The Mutation" has a somewhat lighter, more organic feel than the darkness of the preceding tracks.Its dramatic opening gives way to a deep thick mix of layered electronics, wobbling synth lines and tweeting oscillator birds flying around the rainforest.Instead of the cold, gray, bleak opening this feels much more organic, natural, and inviting.
Other than the pedantic attempt at drone metal that opens the album, the remainder is a captivating audio film that, without a specific narrative, instead allows us, the listeners, to construct our own meaning and story behind the images that the music creates.It truly feels like a film without the visuals being shown, but are instead created and given meaning by the listener.
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