Although the song is half an hour long, it has three movements distinct enough to be separate tracks. The first, “Invisible Fire,” is a quiet exploration grounded by the guitar while the other instruments dart forth on their own. It heads into abstract territory for several minutes, striking bargains with interstellar entities, until brought back by the monologue of a disembodied voice. The next section, “The Rebis,” finds the group turning up the amplifiers, returning the drums to a steady beat, and adding a searing violin to complement this psychedelic jam. “Latona” is the most sedate part of the album, with its acoustic guitars, tabla, and flute providing an upbeat ending to this mutating piece and at last returning the group’s feet to the ground. While this album isn’t terribly different from other recordings by the band, its flowing sections contain plenty enough within to keep me entranced.
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