Coming so soon after their exquisite Vintage Burden and their Electricity Ghost outtakes collection, this is an album that Charalambides could have done without dropping. The solo work of both Tom and Christina Carter is evolving at a furious pace, releases coming monthly that both investigate and fulfil their countless ideas. If rumor is to be believed, these songs were recorded live in one take and then overdubbed with numerous effect and layers. It is in this extra work that the fault lies, leaving Likeness in the void between song and improv.
This halfway house between posts sounds like a great idea on paper, the fleshing out of both instinct and chemistry with time and detail. The lack of fragility in much of Tom Carter's playing means the album is weighed down, the overdubs becoming a pair of concrete boots. The over-gesticulating guitar is amongst some of the most out-of-place playing in Charalambides career, the work on "Figs and Oranges" and the finale of "Cloudy Day" is almost Knopfler-esque in its obviousness. The song's almost ethereal double tracing gets close to freer Charalambides, but doesn't quite make it.
Almost every song here has a single element that traps the song in its infancy. In the case of "Do You See?," Christina's more or less stentorian delivery might soften as it multiplies but it is already too late. Much like MV & EE on their recent Gettin' Gone album, Charalambides have seemingly sought out the '60s-'70s spectrum as opposed to any of primitive and experimental forms. Struggling between form and freedom the album sounds like neither. It is possible that some of the original stripped versions of these tracks might have made a better Likeness, but that is just idle speculation; this album simply doesn't made the grade that the band set themselves over the years.
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