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Between their Silver Tongued Sisyphus EP and their collaboration with Lichens on Holy Mountain, it was obvious big things could be expected from this duo. On those releases, it felt as though Cloudland Canyon were holding in the reigns, and giving us merely a taste of where their sound could go. Here Simon and Kip let loose and discharge their fullest noise yet.
"Krautwerk" begins with a swath of beautifully textured drones and synth washes that we've come to know these guys for, but soon ramps into a full-on groove living up to the song's title. Understated bass and percussion intermingle with squealing and wah'ed guitar perfectly. The clear and upfront vocal chants are a welcome addition to Cloudland Canyon's sound, which previously featured very little and over-effected voice. The track's beat never gets stale and comes to an end appropriately.
After the vibrant "White Woman," we get the obviously Cluster-inspired "You & I." A steady analog drum machine beat holds down the repeated shift between descending synthesizer sweeps and indiscernible but catchy vocalizations. You’re kept nodding until the tempo is drug to a snails-pace and the song is overtaken by an intoxicating waver and subtle distortions.
While hard to pick just one, "Heme" is the stand-out track on this record for me. After two minutes of soaring through the clouds, we're gently let down into a pasture where delicate keyed and plucked lines sift through the grass and into the ears. While this is perhaps the lightest moment on the album, it is also the most sonorous. The title-track follows and is an appropriately darker and intense juxtaposition. The closer, "Mothlight Part 1," is short lived but effective. It is certainly a happy note on the end of an album that runs the gamut of emotions.
Lie In Light is exactly what I was hoping to hear from Cloudland Canyon. While living up to the tradition of kosmiche musik and the 70’s kraut-rock masters, it doesn’t get bogged down in its roots and has carved out a unique space all its own.
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