This reissue of their sixth album (not including those done with Brian Eno) is a most welcome sight. Often overlooked in favor of their '70s output (understandably considering how good those albums are), Curiosum remains a curiosity in the Cluster back catalogue. It is quite different to their earlier works, less serious sounding than previous albums. However, the variation of styles and approaches on this album means it comes across as more of a compilation than a fully fleshed out album. Yet, I argue that its disparate nature is part of its charm.
Curiosum kicks off with “Oh Odessa,” which harks back to the playful sounds of Zuckerzeit but it does not repeat what Cluser have already done on that album. “Oh Odessa” instead sounds like the theme tune to a children’s TV show about science: that mix of wonder and joy that gets lost as we grow older captured forever in synthesiser. “Proantipro” goes in a completely different direction to the rest of the album, sounding like a Throbbing Gristle outtake. The trembling menace and queasy electronic pulses create feelings of paranoia and unease, squelching and whirring background sounds filling out the atmosphere brilliantly.
Changing mood dramatically yet again, “Helle Melange” has the air of an old folk song but as imagined by the inhabitants of some future society where only the scantest records of the past remain. Elsewhere, the wonky rhythms of “Tristan in Der Bar” might be that future society’s pop music; its somewhat alien structure is quite unlike anything in Cluster’s back catalogue and represents a strand of music that they unfortunately never returned to. The same can be said of “Seltsame Gegend” which pre-empts the sound of Autechre by a good decade. As if the world needed more proof that Cluster were far ahead of their time, here’s another prime example.
Curiosum is not the best Cluster album by any means but the fact that it remains an obscurity rather than the peculiar brother to their classic albums is a crime. Granted some of the pieces may sound like unfinished sketches but there is so much charm permeating the music on this album that it is impossible to not fall in love with it. In addition, the fact that none of the pieces seem to fit together pays testament to the creativity of Hans-Joachim Roedelius and Dieter Moebius. It always confused me as to how Cluster would remain inactive for so long after this album when the music here showed so much promise to redefine electronic music in the '80s like they had already done in the '70s. Curiosum now has the chance to be rediscovered and given its proper place along with Roedelius and Moebius’ other works.
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