The true test of the heavily layered, over-produced combo pop song is usually whether it can be played out in a solo performance, say at the ubiquitous open stage café or around the campfire, and still be strongly maintained. The singer/songwriter performance augmented with one or two other instrumentalists, preferably none of whom are playing the same instrument, usually has a raw and unique group charm, especially when performance is more the focus than production.

 

Drag City

David Grubbs - A Guess At the Riddle

For a good chunk of his latest disc, A Guess at The Riddle, the literary and very musical David Grubbs pulls off a lot of very catchy, jangling guitar-driven pop songs in which the only other instrumentalist is drummer Adam Pierce (Mice Parade/The Dylan Group). Although Grubbs does some bass guitar overdubbing, on tracks such as "Knight Errant," "A Cold Apple," and "One Way Out of the Maze," it's so low in the mix and masked by his guitar; the positive outcome, perhaps intended, is that it then feels like listening to a very tight and dynamic duo riffing off of each other. Greek cellist Nikos Veliotis (featured in Grubbs' recent live performances) adds his swooping harmonics, which, along with the electronic augmentation of Matmos, turns "Hurricane Season" into a brewing and ominous piece worthy of its title. The snappy and extremely catchy "Pangolin" tears along to powerful yet unamplified electric guitar and broken bass lines which pack a lot of intensity into a brevity of under two minutes; no fancy guitar solos required. Although no recording equals that of live performance, there are a lot of moments on A Guess at The Riddle where it feels like I'm in a small club, listening intently at the edge of the stage. 

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