Obviouslytrying to reaffirm his status as the king of drones, Carlson has beenreleasing a steady stream of records this year. This is the second livealbum to be belched up this year and it is a patchy affair.
Sometimesit shines like a well polished Sunn amp and other times the sound is asdull as the stuff that Earth take their name from. Having never seenEarth live I have to wonder is there something missing from some of therecordings as they seem dreadfully hollow. Carlson’s guitar sometimessounds thin and lacks the menace of the studio releases. Instead ofbeing gut wrenching it is more of a nasal whine. However 070795 Live is a far better release than Earth’s other live album this year, Living in the Gleam of an Unsheathed Sword. The song “Dissolution III” appears on both albums but on 070796 Liveit has more vibrancy and sounds fuller, the previous release was tootinny to really get into the music. Unfortunately it still sounds likesomething is missing from the track. “Dexamyl” and the title track aremore like what I expect from Earth. It is the sound of a band flexingits muscles before delivering that punch that will knock down allpretenders to the throne. The remix (or reconstruction to use the linernotes’ parlance) of “070796” tacked on to the end of the album destroysall of its might and instead waters down Earth’s strengths. On Legacy of Dissolutionall the remixers hit the nail squarely on the head but James Plotkindeserves to be hit on the head himself. I would have thought he wasmore than suited to the job with his metal credentials but alas I waswrong. Had this album been released as a two track EP I would besinging Carlson’s praises and slapping the people at Autofact on theback but thanks to some awful remixing and poor sound on half the albumI am reluctant to go near any future releases of Earth’s live shows.Hopefully the forthcoming studio album on Southern Lord will allay myworries about Earth’s legacy.
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