Anybody with software can glitch and nearly anybody with a drum machine and sequencing keyboard can make a dance record, but to twist the machines into a modern electronic pop masterpiece requires a healthy amount of both talent and skill. This, the Bpitch Control label matriarch's third full-length album, is a perfect example.
From the beginning, there's no time wasted. Crushing dancefloor beats are introduced, and before long are finely matched with shimmering multi-instrumental instrumentation and Ellen's almost magical voice: never obtrusive, never rubbing off the wrong way, and never lacking in the catchy tune department. A dance record to take home is an uncommon concept from a label which is known for its heavy singles output, but the ample usage of differing tempos, sprinklings of guitar work, instrumental and acapella songs, makes this a great album for home, car, or work situations. With every listen, there's new things to notice, as the songs rarely take predictable, overused routes. Fear not the high brow, however, as there's plenty of ass shaking and tush pushing with the higher energy dance cuts.
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