Not just another British dance rock import, this Oxford-based ensemble imbue and invigorate the sagging subgenre with virulent, playful hooks that feel so natural they ought to shame the DFA Records stable in immediate, unconditional retirement.

 

Sub Pop

The youthful group's impressive chart success in their native country might not translate to similar appreciation stateside, though listening to these sensational, emotive, and often electrifying tunes, that hardly seems relevant. 

Foals make a joyful though secular noise throughout Antidotes, from the percolating opener "The French Open" all the way through the duo of exclusive bonus tracks which Sub Pop has astutely chosen to include.  With some of the best usage of horns in rock music this side of The Stooges, the band constantly raise the bar for other post-millennial indie upstarts with the splendid singles "Cassius" and "Balloons," the latter having practically burnt a hole in my now-deceased iPod from excessive repeat play.  The multitracked vocals of Yannis Philippakis mount the sturdy rhythms and quirky melodies of quality tracks like "Olympic Airways" and the spacious, arena ready anthem, "Big Big Love." 

Somewhat famous already for rejecting the initial production work done by Dave Sitek of TV On The Radio, Foals have little need for name-checkable collaborators, as these intelligent, angular party tunes more than compensate for their neophytic status.  Ignore at your peril.
 


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