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The album's intro begins with some sinister electronic percussion while dark atmospheric synths create an unsettling feeling. Distant voices that sound like they're speaking in tongues suggest a nightmarish paranoia. The second track has a wailing sound that resonates through the off kilter percussion while layers of crackles permeate the sound of broken machines, like the technology is dying, taking its final breath as it malfunctions. The third track has a warm, lush beauty: minimal melodic keys and chimes sound familiar and comforting, like coming out of a bad trip with a sense of hope. It is simple in its execution yet astounding in its beauty. It is indeed "deep listening" as lots of subtle intricate pulses in the background can be tuned in to, and it is no longer the nightmare suggested by the album's opener.
As the comfort of reality sets in following the end of the nightmare, a restful sleep follows, but the relief is temporary. The sound of artificial crackles and fizzes are disorientating upon re-entry into that dark place, the most distant recesses of the subconscious. Meanwhile, the insect wings fluttering at hundreds of miles an hour puncture the brooding sub bass that weaves in and out of bubbling liquids, deeply rich textures, bleak soundscapes and synthetic audio sculptures. All the while a sense of melancholy permeates. It's a new world but it seems familiar. A million shades of black can be seen and each one is more intriguing than the last.
Agnosia closes with a cinematic, haunting piece that evolves into a hybrid techno track with eerie vocals and a futuristic vibe full of lurking tension and passionate intensity. It eventually becomes totally claustraphobic but as soon as it all becomes too much and I need to turn the lights on I'm relieved with white light as the album fades away like the ghost of a distant memory.
Agnosia is a set of tracks that are interesting on every level from their glacial surface through to each subtle detail in the production. At a running time of just over 32 minutes it doesn't overstay its welcome and therefore is ideal for some late night solo escapism during the impending winter.
Although the music is electronic in its construction it retains an organic, human feel throughout. Here are a duo who have truly mastered the art of black electronics: imagine Darth Vader and Aleister Crowley on powerbooks after completing a PhD in sound design. It is genuinely original sounding material that fans of Coil, Rapoon, Deathprod, and recent Dopplereffekt should investigate.
streaming sounds available at http://www.theformicarium.com/
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