Mush
This collection of reworked versions of Marc Bianchi's 2003 albumincludes remixes that stay close to his original versions as well asadventurous deconstructions. By keeping the same running order as theoriginal LP, the set is much more listenable than many remix projects,as there is only one version of each track. By selecting a group ofremixers that are likeminded, he has ensured that the album won't straytoo far from various combinations of pop music and electronica. Thisworks to the advantage and disadvantage of the set. The Album Leaf doesaway with the chaotic beat programming of "The Young Machines" andinstead offers a pleasant, but ultimately uneventful melodic electronicversion. Arab Strap's take on "Something To Do With My Hands" is thebest example of a new version that keeps the structure of the originalsong intact, while improving upon its arrangement. The beat they haveused in place of the original's is simply much better, placing the songin a more contemporary setting. Interestingly, Arab Strap vocalistAidan Moffat has resisted the temptation to add his own vocals to thisremix, as he has done to others in the past. The Stereolab version of"Girl Problem" is the most deconstructed, recontextualized track of theset. It's hard to tell if they've used any sounds from the originaltrack at all. They have added what sounds like organ, drums, and allmanner of strange analog keyboard sounds, and in the process have madea better track than anything on their own last few albums. Thejuxtaposition of Bianchi's lyrics "I've got a girl problem; I've got adrug problem..." against this absurdist backdrop of bleeps and organbursts goes miles toward downplaying his often overly emotionalleanings. Super Furry Animals take on "Sleepy California" is a case inwhich a similar juxtaposition is less successful, as they have setdepressing lyrics about a dying grandmother to silly, bouncy music. Sixof the ten remixers have kept the original's vocals intact,highlighting the importance of storytelling in Her Space Holiday songs.To their credit, none of the remixers have used repeated vocalfragments, which are often annoying. Matmos and Blockhead havecompletely removed the vocals from their respective remixes of "TechRomance" and "Meet The Pressure." They both offer excellent, highlydeconstructed pieces based on a few elements from the original. Thebeautiful, weepy strings which Matmos have used as a key element intheir instrumental version of "Tech Romance" prove that Bianchi doesn'talways need to rely on direct lyrics to strike an emotional chord inhis listeners. While it may have been interesting to hear a few actsless familiar than these pop/electronica sympathizers try to remixtracks, it may have disrupted the flow of the album. By choosing areliable, if slightly conservative, group of remixers, this album hasturned out to be a highly enjoyable companion piece to The Young Machines.
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