Drag City
Following up an EP released a couple years back, Stereolab bassistSimon Johns has assembled the first full-length from his project. Theband consists of fantastic players, utilizing a wide spectrum ofinstruments and honing a driving sound most Stereolab fans could easilylatch on to. However, as I enjoyed the brevity of the other EP, as anLP, there's simply something missing. While the music is pleasant andenjoyable, most of the songs don't really progress far from their entrypoint. In addition, with the lack of melodic variety and the frequentdroning of single note playing, all the tracks makes this ensemblesound almost too "jam-band-y" for my own personal tastes. For the mostpart, it never quite gets offensive, that is until the "Theme for anImitation Electric Piano," with the atrocious "Rockin' and rollin' /the theme for an imitation electric piano" lyrics. Getting through theentire album just isn't as rewarding as a short 5-track EP of stuffthat gets in late and gets out early. If the eponymous EP gave thefeeling of a tap, slap, and run, Trinity Neon is a wait, get impatient and give up kinda feel, which, at best can serve as decent aural wallpaper.

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