This collection of compositions shows how much Laporte is in love with the subtleties of sound and atmosphere. Shifts in timbre and slight changes in texture are the order of the day, the end result being five wonderful pieces that each explores the physical nature of sound. He avoids needlessly complicated ideas and instead lets the sounds that would normally go unnoticed come to the fore.
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Like Chris Watson and BJ Nilson's recent album Storm, "Électro-Prana" captures not only the sound of a storm but also, short of actually getting wet, the feeling of being caught out in it. It is hard not to shiver and look for cover when listening to Laporte's recordings of ice storms made from many recordings of the wind whistling through doors and windows. It is great fun to listen to it in bed, wrapping the covers tight even though the real weather outside far warmer. Laporte reproduces the atmosphere of the storm perfectly, it is possible to hear each whistle and whine distinctly.
By far the most interesting of the five compositions is "Dans le Ventre du Dragon." Here Laporte records music being played in an empty cargo ship. A massive natural reverb warps the instruments, the brass wind instruments sound like they are buzzing past like giant insects. It is a very simple concept but Laporte makes sure it sounds extraordinary with his clean recording and postproduction. It is easy to imagine a huge, rusting juggernaut with a few musicians skulking around the bottom, every sound they make swallowed up by the emptiness and the void around them.
A lot of electroacoustic composers get sidetracked by theory and utilising software that is interesting from a music technology point of view but not so interesting to listen to. Laporte steps away from all that malarkey and concentrates on capturing fascinating sounds. Each of the five pieces that make up Soundmatters are feasts for the ear; Laporte combines the right amount of intellectualism with buckets of beautiful noise. He does not seem afraid to move outside any comfort zone he might have; none of the compositions sound like each other as Laporte utilises different techniques to recording sound and vastly different sources of sound (from the traditionally musical to the mechanical to the natural).
Soundmatters is a rich listening experience and a joy to listen to. The attention to detail in terms of sonic nuances is amazing. All of the pieces are utterly engaging: there are so many intricacies and fine alterations in tone that it is impossible to take it all in. However when armed with a comfortable chair and a nice set of headphones, the challenge of taking it all in is a task well worth pursuing.
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