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An inspection of the liner notes reveals he's stayed with a traditionalarsenal of guitar, mics, tapes, pedals and an analogue synth. Despitehim admitting to some "computer assistance", Drumm's offering is verymuch in the tradition of old-school power electronics or Japanesenoise, with only a few obvious signs of computer work to give it a morerecent feel. A more contemporary comparison might be to Oren Ambarchi'smore extreme processed guitar output.
As always with MEGO releases the packaging is notable, this time goingin for some kind of black metal joke, with a gothic "KD" inscribed ingold on black. And they managed to scare me more than any 80's Venompublicity photo by tinting the CD gold, the sight of which produced abrief but morbid flashback to the mid-90's terrors of owning fadeddiscs printed by PDO. Ultimately this black-clad music is more BoydRice than Varg Vikernes, but that, of course, is no bad thing.
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