We all know Kieran Hebden is a big jazz fan, nearly all of the samples used in Four Tet recordings originate from jazz records, but it's undeniable that he has continuously made his mark in the pop framework. This third collaborative release with drummer Steve Reid explores the more pop side of things with ten tunes that average between the three and six mintue mark, ripe with riffs, and just about ready to be turned into hit singles.
Like the first two releases, Tongues was recorded live at The Exchange with no overdubs or edits. The major difference is that between April 2005 and February 2006, Hebden and Reid have had considerable more time to play together, touring the world, finding out more about themselves as well as what works and doesn't for them and their audiences. Four Tet fans who may have found the first Exchange Session volumes hard to get into will find an easier time here but Tongues is by no means a Four Tet record.
With 10 songs, the record covers a lot of ground. While more vigorous workout/freakouts like the "People Be Happy" and "The Squid" are more of the norm with aggressive drumming and whimsical electronics, the album launches with the record's two jams with the most commercial potential. "The Sun Never Sets" and "Brain" each initially exploit an almost techno-pop riff, backed by steady but unoppressive drums until each musician pretty much lets loose. Retro-alien sounds mark the bumpy "Superheroes," while lulls like the echoing chimes on their interpretation of the traditional "Greensleeves," and the proverbial harp on "Our Time" allow for some breathing space. What the two have found together over the time playing together is a way to both go nuts and rope things back in without letting a song get way out of control or go on too long. "Left Handed, Left Minded" finishes off the album, opening with some hypnotic malleted drumming accompanied by vinyl surface noise, joined soon by the whirring of digital mixing, but here, things don't let loose and the album tactfully quells to a close instead of ending with some cut at the height of excitement.
While the Four Tet brand is more or less on an unofficial hiatus, it would be great to hear these jazz records between Hebden and Reid destructed and reconstructed by people like Jason Forrest, Kid 606 or others who recycle recorded music only to pull some completely new pop tunes out the other end. Although Tongues is still pretty damn satisfying on its own as is.
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