Maybe Kinski does rely on the loud/soft dynamic quite a lot in their compositions and, frankly, their last album seemed too bent on switching between churning, piston-driven rock and more electronic affairs that simply hummed and drifted away within the record. It was a distracting feature on an otherwise fine album; all that's changed with Alpine Static. The blasted, wailing guitars and metronomic drum performances are still present, but the compositions have more depth to them. Tracks like "The Party Which You Know Will Be Heavy" and "Passed Out On Your Lawn" pass between thumping, heavy sections and subdued portions that are equally exotic and familiar. The use of atmospheric movements within some of the pieces works much better than previously due to the inclusion of far more organic sounds. When the strings freak out and begin to convulse like a dying animal there's no sense of forced drama or pause, the album flows together as one continuous piece of music. It's pretty amazing feat considering the range of sounds to be found and the fact that a couple of these tracks have been floating around for a little while now in one form or another. Both "Hiding Drugs in the Temple (Part 2)" and "Passed Out On Your Lawn" have appeared before in some form or another and with different names. Also refreshing is the dynamic of darker and lighter songs on Alpine Static. My experience with Kinski is that they tend to pick a mood and stick to it, but between different songs and, sometimes, within a given song Kinski switch up the atmosphere and spirit easily and seamlessly. There's no shortage of very serious rocking, but the best parts of the album are when they manage to build a real tension and then release it perfectly with a wave of drumming fury and infinitely stretched guitar tones that each something like pure noise feedback. They control it just enough to give it a melodic edge that makes it captivating. Alpine Static is a huge improvement on their past albums, mainly because I want to listen to the entire record instead of skipping around and looking for the aggressive, propulsive songs on the album and leaving the rest to sit as filler. Every portion of the album is used more economically and satisfyingly, making it a more enjoyable listen and a more well-rounded piece of music all the way around.
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