The third collection to come out of Iceland's Kitchen Motors might aswell be parts three and four to the Motorlab (reviewed a couple monthsback). This 2xCD collection shares many of the Icelandic performers ason the other collections, recorded earlier however (1999) from avariety of improvisational performances in the Motorlab. The majordifference is that the first two compilations were rather rigid in thecollaborative respect — each performance was between at least twounlikely paired identities. On Nart Nibbles, collaborations occur, butthere are also performances by the individual groups. Seven tracks fromseven different entities make up the first disc, beginning with a fourorgan and one drummer ensemble, Apparat Organ Quintet, whoseperformance sets the stage for this rather clean, well assembledcollection. A contribution from Big Band Brutal is neither big norbrutal, but quite clearly establishes the fact that instrumentalimprovisation doesn't always have to be harsh or directionless. Discone ends with a fabulous 10+ minute rhythmic collaboration between Múmand Músíkvatur with organs, a toy drum kit, synths and dryer sounds.Disc two however features only two tracks. The first is an all-star13-guitarist ensemble which stretches nearly half an hour. "HelvitisSymphony I" is much less dissonant (and more enjoyable) than most avantgarde guitarist ensembles (like those led by Glen Branca) and featuresguitarists like Motorlab organizer Kristin Bjork, Jonsi from Sigur Rós,Hilmar Jensson and Hei¦a. Over the course of the piece, each guitaristintroduces their part, contributing a distinct sound and feel, fromdrones to melodies, carefully layering over what's already beenestablished, yet developing and mutating the feel and direction. Thecollection concludes with a beautiful electronic versus organiccollaboration between Biogen, Plastik and Hilmar Jensson, matchingpulses, low frequencies, and caterwauling guitars into a hypnotic audiosoup. Gosh I wish I were there.

 

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