I Thought I Was Over That not only comes off the heels of a successful LP and tour, but the tracks included are of a varied enough nature to please devoted fans who missed a single here or there and curious newbies alike.
After a string of critically acclaimed full-lengths, Lali Puna mark 2005 with their very first compilation release, which raises the question: what makes a compilation worthwhile, if not essential? Some artists use these kind of releases as throwaways, to keep an audience's appetite whetted during studio time, or simply loaded up with filler and other fluff to move units in times of need. Not so with Valerie Trebeljahr & Co.: I Thought I Was Over That not only comes off the heels of a successful LP and tour, but the tracks included are of a varied enough nature to please devoted fans who missed a single here or there and curious newbies alike. First of all, there's a ton of material: nearly 80 minutes is enough to fill two pieces of vinyl. Secondly, it's of a varied enough nature—remixes of Lali standards, remixes of other artists' work by Lali, duos, throwaways and a jam (if that's the term in electro-pop) or two—to truly merit the release as more than a convenient collection for those who couldn't track down all the singles. Happily, the remixes are worthwhile, too—rather than superficial changes, they truly add something new to the source material—like putting an addition onto the house rather than just a new coat of paint, or in some cases, like going from a duplex to a lighthouse. Some of Trebeljahr's choices for remixes will turn some heads, too. They're able to "poppify" a track from left-field hip hop outfit Boom Bap, ably adding a verse-chorus-verse setup to an otherwise freewheeling instrumental; Lali Puna even takes a stab at a Giorgio Moroder (he of synthesizers and Scarface fame) composition. The collection is by no means flawless: the Dntl version of "Faking the Books" loses most of the subtle majesty of the original, and some of the new work will be too glitch-pop for the established audience. It's also a little heavy on later material: nearly half the tracks come from 2002 and later. And remixed or no, some of the instrumental tracks seem to wander, and suffer greatly in comparison to those graced by Trebeljahr's simply lovely singing voice. Alternately haunting, soothing and even salacious, any remix or rarity, no matter how adroit or precious, is vying for second place without the presence of her pipes. Not a hackneyed retrospective or throwaway "greatest hits" collection by any means, I Thought I Was Over That seems tailor-made for Lali Puna's loyal listeners: they'll get to see whole new sides of the group's lyrical and compositional abilities (especially if they missed the 2004 Mirconomic EP), and get to be spared the bother of tracking down all the singles. New listeners, though, won't be nearly as rewarded, and would be best advised to pick up Faking the Books or Scary World Theory before moving on to this smorgasbord.
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