The world's loudest genre-defiant drum and bass duo from Providence,Rhode Island have returned with possibly one of their most danceflooraccessible records ever. In perhaps a tribute, or a response to recentmovements to make rock music more dancable (or a clever ploy to woomore female dyed-black hair fans), Wonderful Rainbowis an assault of pure energy. The duo, however, will never be foundhigh up on a stage while a crowd dances below, as they prefer to playon floors exclusively, entirely surrounded in a sweaty, claustrophobic,smelly pit which feeds the super-charged sludge which is feverishlylovable. The album is broken into essentially two sides, and whilethere are about five songs each side, there's honestly no space bigenough to stop for a breath of fresh air. This album is a completerush. Songs like "On Fire" feature the hot-tempered drum and basssynergy of fast starts and stops while the album's closer, "Duel in theDeep" is very early 1990's post-industrial/big-beat remeniscent in itsapproach. Be warned, however, as by the time the pulsating beats of thefourth song, "2 Towers" take over, all senses of reality are completelydistorted. Drivers might want to not play this album when there's anyremote possibility of being pulled over for speeding. It's hard toconceive that these two down-to-earth guys are being clever, deceptive,or ironic, but there's some inexplicable magical sonic happenings whenthe thunderous repetitious pounding of the bass guitar and bass drumcollide at these intervals, almost like the negative images seen onlyfor a brief millisecond when eyes close. Maybe I just don't know enoughabout psycho acoustics to truly explain it, but it's something thattruly must be experienced first-hand to believe. Read More
