Jason Molina seems to be getting all the wrong kind of attention. Pegged as a follower and adherent of any number of past songwriters, Molina's distinct voice and his band's broad musical range often goes ignored in favor of unnecessary name dropping and undeserved, negative comparisons.Secretly Canadian
The Magnolia Electric Co showed Songs:Ohia taking off into a full sound that covered epic guitar-driven pieces just as well as old-time country feelings. Molina was certainly pulling spirits out of the past, but his own mark was clear and distinct on every track. What Comes After the Blues continues the varied character of Molina's last record and sees Molina and his band emerging from whatever lines were drawn between them and other performers. The album begins with the rush and force of "The Dark Don't Hide It," a song that's appeared on the road for some time, now, but sounds incredible in the studio with the new band that Molina has decided to record with. The arrangement is fluid, crossing in and out of acoustic and electric instruments and building with a hidden intensity that culminates in one of my favorite lyrics on the record. Molina's delivery might seem restrained, but the resignation in his voice and the chorus make the intensity greater than it would've been with simplistic volume increase or dynamic explosion. The slide-guitar playing stands out on several songs, but nowhere more than on "The Night Shift Lullaby." Its warm tone literally bleeds all over Jennie Benford's lovely vocals. The first four songs on the record are incredibly strong. "Leave the City" is one of the more unique songs in Molina's catalogue. The trumpet playing takes center stage in front of a cast of country guitars and piano, but cannot seem to escape Molina's lament over leaving his hometown. Magnolia Electric Co have never recorded anything as beautiful as "Hard to Love a Man" and the easy disposition of the entire second half of the album is simply blissful. Both "Hammer Down" and "I Can Not Have Seen the Light" are maybe two of the best Molina has written; they're simple and naked lyrically and sonically. Molina might be compared to a whole slew of people, but nobody sounds like him and there's only a few bands that can touch on Magnolia Electric Co's soulful delivery and power. -
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