Ecstatic's stunning split release between Maurizio Bianchi, godfather of the Italian industrial noise scene, and Abul Mogard, the much loved and hyperstitious synthesist, conjures a spellbinding testament to the transcendent and transportive energies of electronic music.
Although appearing to starkly contrast on the surface, both artists' work patently shares a lust for the suggestive abstraction of raw current and its pareidolia-like capacity to generate rich and uncanny emotional responses from the end user.
On the a-side, Maurizio Bianchi serves the obfuscated, coruscating atmosphere of "Nervous Hydra," a 17-minute piece of sunken, desiccated harmonic structures and warped greyscale tones rinsed with ET radio signals and distant percussion that recall the sound of embers landing on tinfoil or snow. It evokes the experience of being caught in a quietly raging whiteout with only a dying fire for company, or equally a sense of subaquatic, amniotic serenity prior to being evacuated into a much colder world.
In that piece’s tempestuous wake, Abul Mogard brings a sense of soothing, glacial calm with "All This Has Passed Forever" on the b-side. For 16 blissed minutes, Mogard spells out a nostalgic fantasy in creamy strokes of Farfisa organ and Serge modular recorded at EMS studios, Stockholm, and later combined with field recordings to elicit a wistfully widescreen paean to his days on the workshop floor accompanied by the harmonious drones and cacophony of heavy machinery.
Out now on Ecstatic.
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