Perhaps a little bit too superfluous, being a little bit different from more droney music albums, which maybe a good thing, but in this case, it works against itself.  This is an experimental improv album featuring an out of place Madonna sample, not once, but twice on two separate tracks. The samples seem to be random and kind of annoying sometimes and it makes the listener turn their heads, as if almost saying, "Was that Madonna I heard between the blips and bloops?"
Although I like it more than most things done by harsh noise-icians, it lacks any kind of thought or planning, perhaps that is the point of it, but it makes an unconvincingly effort to make this aware to the listener.  It's confusing.
Starting on the 5th track though, where there seems to be more of a direction that the album has eluded itself from the beginning, and that's when the album gets quite fun to listen to, though also while masquerading as musical output made by more experienced musicians at times.
It's probably now a cliche of what a musician's expression of discordant 21st century cynicism sounds like in these fucked up times. The last track wraps up what is a more entertaining than artistic album that is not clunky or too minimalist.
This album is more amateur in nature, with a kind of copycat quality that comes out stale or extremely non intimate.  It's as if these two musicians expect the audience to revel in their compositions and also be completely enamored with their abilities, but the actual effect is a quite different.  However, it's neither groundbreaking nor bad, just a little amateur.
Sometimes enjoyable, but often times seemingly more copycat in nature, with its blueprint formula, it doesn't add anything new or innovative to the EAI world, but could be a good introduction to this field of music, depending on who you ask I.
 
