Cheap sounding drum boxes, syn-drum effects, synthetics that don'tpretend to be anything else but a synthesizer, minimal sequencer linesand the deadpan vocals of Caroline Herve make up a charming differenceto all the 'greatest hits' stuff everyone gets confronted with toooften from that period.
The irony in the lyrics and song titles like "1982", "Frank Sinatra" or"DJ Song" makes it more believable this French duo took a sidestep fromcurrent music to follow their obsessions. The result is a sleazy newwave disco tech noir album, danceable, enjoyable and if you get thedrift - nearly pnotizing.
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