The first full length album of all new Mouse On Mars music in threeyears is easily one of the most fun records of the year. Andi and Janare once again joined in the studio by vocalist Dodo Nkishi and, alongwith female vocalist Niobe, for the first time, the entire Mouse OnMars record is covered with vocals. The strong points are very strong:the undeniably most bombastic jam of the year is "Blood Comes," which,along with tracks like the opener "Mine Is Yours," and "Wipe ThatSound," are excellent homages to bottom-heavy retro-funk put through adigital mindwarp that Mouse On Mars excel at. "Blood Comes" plays in myhead to images of urban roller skaters in San Francisco, speeding downthe hills backwards with a ghetto blaster on one shoulder. It's aperfect balance of punchy beats, hot riffs, and noise. "Mine Is Yours"is a brilliant opener with guitars adding more human colors andtextures to the music, which is historically quite alien. However, I'mnot quite sure if I'm ready for the vocals from Niobe, as the songs"The End," "Send Me Shivers," and "Evoke an Object" are somewhat tepidattempts at a kind of generic easily digestible coffee house techno.While they do work as good resting points between the relentless energyof the other songs, they're rather underdeveloped and lacking inexcellent hooks. It almost doesn't matter, though, as the memories ofthe high points are good enough to leave the important lastingimpressions and warrant repeated listens.Read More
