I'm certainly not the first to observe this strange paradox, and I won't be the last, but it seems that the release schedule of new Muslimgauze albums has somehow increased exponentially since the death of Bryn Jones. Every month since Jones' untimely passing has brought at least one new release to his already preposterous discography, often two or three. At this stage, I'm actually having a hard time believing that even the absurdly prolific Bryn Jones committed this much unreleased material to tape before his demise. By this point, Gauze might actually have crossed that Biggie Smalls milestone, having released more albums posthumously than those released during his life. I have to admit however, perusing the newly released 77-minute Alms For Iraq on Soleilmoon, it's hard to say who else could have produced this music other than the singular Muslimgauze.Soleilmoon
Multiple tracks of sampled rhythms abruptly explode out of nowhere, spraying violent distortion across layers of interwoven samples of Arabic music. Scattershot, sweltering tabla rhythms are suddenly phased and mutated across the stereo channels, with moments of arrhythmic hiccupping and digital blurring maintaining a consistently aggressive, intense atmosphere. "Pale Elegant Egyptian" sounds like something Coil might have recorded for Horse Rotorvator, a mysterious Nubian folk loop matched with a pounding, hashish-filtered industrial rhythm. For most of the album, the dials are turned all the way up in an effort to push the distortion into the red zone, so many of the beats converge into a thick amorphous cloud of smoke. Dub techniques are utilized in unique ways, quiet passages that serve as the quiet before the storm, giving way to machine gun rhythms and fiery distortion. For those masochistic enough to be Gauze completists, the quality of the music on this disc is pretty much irrelevant: no doubt you've already purchased this. For those who enjoy only the occasional dip into this artists' imposing catalog, however, I can guardedly recommend Alms For Iraq as one of the better examples of late-period Muslimgauze. One thing that stands out about this release is the packaging: a tall cardboard wallet with six panels of disturbing images culled from alternative media websites dedicated to publicizing the ongoing atrocities in Iraq and Palestine. It's well-known that Bryn Jones was deeply moved by the plight of the disenfranchised Palestinians, and I would further conjecture that he felt his music could serve as audio terrorism, a series of violent missives to spread a message of an oppressed group of people. The cover image shows bare Arabic feet above a pair of sandals bearing the words "ISRAEL" and "USA." To the uninitiated, this might seem like a plea for tolerance and unity, until you realize that for Arabs, anything that touches the bottom of their feet is vile and unclean. One thing that Israel and the Western allies seem unable or unwilling to understand is that the "war on terrorism" will never be won. Terrorism is the symptom, not the disease itself. Anyone at the CDC would agree that the cause of an epidemic must be attacked, not its symptoms. Terrorism is the last brutal resort of a people who have no other voice, but refuse to surrender.
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