On the lowest level, this disc is a dense stream of fascinating soundsthat highlight the interaction between these innovative improvisers.The cacophony of buzzing and whirring is not unlike Müller and VoiceCrack's other project, Poire_Z, and Ambarchi's processed guitarcombines very well with their "cracked everyday electronics"aesthetic—almost anti-technology in its espousing of the commonplace.There's a lot to listen for on this disc and it all seems like itbelongs, from sine waves to sci-fi tones remeniscent of the sounds inthe new Matrix film (but not of the college freshman philosophizing,thankfully). Attempts to put this music on in the background seemfutile as it's just too attention-demanding. A few minutes in, it'shard to ignore the storm of sound threatening to tear the room apart.Even when it's a foreboding wall of mechanical noise, this music feelshuman in its production and arrangement, remeniscent more of thepotential for directly conveying emotion with non-traditionalinstrumentation than of sterile machine music. The disc opens with hightones and some of Müller's "selected percussion" playing a slow,metronomic beat, and the percussive rhythms throughout this CD areprobably more overt (relatively speaking) than some of his other work.The piece is pretty nonlinear, which is nice as it's not a blatant"build toward something and come back" formula. It ends with somehypnotic, quiet drones which continue into the second track, wherethey're joined by some clicking rhythms, buzzing, and slowly modulatedoscillations as the music gets a little frenetic. "Grounding Oysters"is static for most of its duration, exploring the subtle interactionbetween a range of sounds; and "Oystered" ends the disc with more hightones and rhythms. This CD definitely fits well in the canon of theseplayers. While I really enjoy it, I'm not sure if there's much todistinguish it from their other work. But the subtle elements that eachmember of this collaboration provides make it a fine listen for fans ofthis type of sound. Oren Ambarchi / Gunter M√úller / Voice Crack, "Oystered"
Audiosphere
On the lowest level, this disc is a dense stream of fascinating soundsthat highlight the interaction between these innovative improvisers.The cacophony of buzzing and whirring is not unlike Müller and VoiceCrack's other project, Poire_Z, and Ambarchi's processed guitarcombines very well with their "cracked everyday electronics"aesthetic—almost anti-technology in its espousing of the commonplace.There's a lot to listen for on this disc and it all seems like itbelongs, from sine waves to sci-fi tones remeniscent of the sounds inthe new Matrix film (but not of the college freshman philosophizing,thankfully). Attempts to put this music on in the background seemfutile as it's just too attention-demanding. A few minutes in, it'shard to ignore the storm of sound threatening to tear the room apart.Even when it's a foreboding wall of mechanical noise, this music feelshuman in its production and arrangement, remeniscent more of thepotential for directly conveying emotion with non-traditionalinstrumentation than of sterile machine music. The disc opens with hightones and some of Müller's "selected percussion" playing a slow,metronomic beat, and the percussive rhythms throughout this CD areprobably more overt (relatively speaking) than some of his other work.The piece is pretty nonlinear, which is nice as it's not a blatant"build toward something and come back" formula. It ends with somehypnotic, quiet drones which continue into the second track, wherethey're joined by some clicking rhythms, buzzing, and slowly modulatedoscillations as the music gets a little frenetic. "Grounding Oysters"is static for most of its duration, exploring the subtle interactionbetween a range of sounds; and "Oystered" ends the disc with more hightones and rhythms. This CD definitely fits well in the canon of theseplayers. While I really enjoy it, I'm not sure if there's much todistinguish it from their other work. But the subtle elements that eachmember of this collaboration provides make it a fine listen for fans ofthis type of sound.
On the lowest level, this disc is a dense stream of fascinating soundsthat highlight the interaction between these innovative improvisers.The cacophony of buzzing and whirring is not unlike Müller and VoiceCrack's other project, Poire_Z, and Ambarchi's processed guitarcombines very well with their "cracked everyday electronics"aesthetic—almost anti-technology in its espousing of the commonplace.There's a lot to listen for on this disc and it all seems like itbelongs, from sine waves to sci-fi tones remeniscent of the sounds inthe new Matrix film (but not of the college freshman philosophizing,thankfully). Attempts to put this music on in the background seemfutile as it's just too attention-demanding. A few minutes in, it'shard to ignore the storm of sound threatening to tear the room apart.Even when it's a foreboding wall of mechanical noise, this music feelshuman in its production and arrangement, remeniscent more of thepotential for directly conveying emotion with non-traditionalinstrumentation than of sterile machine music. The disc opens with hightones and some of Müller's "selected percussion" playing a slow,metronomic beat, and the percussive rhythms throughout this CD areprobably more overt (relatively speaking) than some of his other work.The piece is pretty nonlinear, which is nice as it's not a blatant"build toward something and come back" formula. It ends with somehypnotic, quiet drones which continue into the second track, wherethey're joined by some clicking rhythms, buzzing, and slowly modulatedoscillations as the music gets a little frenetic. "Grounding Oysters"is static for most of its duration, exploring the subtle interactionbetween a range of sounds; and "Oystered" ends the disc with more hightones and rhythms. This CD definitely fits well in the canon of theseplayers. While I really enjoy it, I'm not sure if there's much todistinguish it from their other work. But the subtle elements that eachmember of this collaboration provides make it a fine listen for fans ofthis type of sound. 
