Glitchy electronic music about the problems people face in a modernsociety from a husband and wife team sounds frighteningly close to aWill Ferrell-based SNL skit, but this new EP fits that description, andthe results are ripe for absorption. Clairecords
Keyboards and vocals by JeannetteFaith are the base, and then Wes Steed takes it to a whole other levelwith computers and homemade synths, resulting in a sound that is notjust songs, it's a whole atmosphere. The techniques are used to greateffect in creating a feeling of absolute detachment, like a dependenceon computers for everything in life just so it doesn't require effort.The titles could be articles in Reader's Digestor some corporate pamphlet, and as such they belie the elegance ofwhat's inside. When sounds escape the speakers, though, the mood isrealized immediately, and an almost menial state of mind takes shape,like drone-esque office work. Troubadours used to sing about thestruggle of the working man #&151; farmers, mechanics, factoryworkers — in angry tones meant to seize attention and changeperceptions. This music is about the new under-appreciated orendangered species due to workload or stress at work or at home: thedesk jockey. Rather than knock people out with brute force, this is acoaxing way of encouraging results. This is a new step for the duo,since their last album did not deal with themes anywhere near this, butthey are perfectly suited to the task. Lyrics like "how many red eyeshave you taken?" and "home is where the heart breaks" float out onFaith's processed voice, immediately cutting in and burrowing for along stay. This is a bubbly and cheery-sounding record on the surface,but beneath it there is pain and longing. I couldn't stop listening,and it is now the preferred soundtrack for my mundane day jobexistence. Maybe I'll find the hidden message and escape, and I thinkthat's exactly what these songs are meant to persuade the listenertowards.
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