Drawing influences from '80s pop, '90s techno, and a bit of more experimental sounds, Profilgate's Noah Anthony manages to be one of those rare electronic-heavy records that is extremely difficult to pin-down as far as time period goes. These three songs encompass sounds from four decades of electronic music, with specific moments that fit into a specific style or genre, but the whole is a much different than the individual parts.
"From All Sides" is rather skeletal introduction, with its rudimentary kick/snare beat lead and fuzzy bass line accompanied by a simple synth melody and a few noisy stabs to keep things fresh and diverse.Vocals are present, but low and restrained, giving a darker, mysterious edge to the otherwise relatively pop-friendly mix."Annihilated" comes together with a slightly less catchy feel, focusing more on a straight ahead techno thump emphasizing rhythm over melody and the employment of various weird noises and the bass line, which is memorable if maybe a bit more dissonant in its overall tone.
The flip side is taken up with the 9 minute "The Red Rope Again," which leads off with a dense, rapid beat that nicely contrasts the overall more subdued mix.A slow progression of analog synth strings might channel 1980s electro, but the beat and production is far more contemporary.The rhythm stays constant for the entire piece, but everything around it evolves and shifts over the duration, with the vocals again kept low and tasteful in the mix.
With synth pop melodies, club friendly techno rhythms and modern day experimental electronic production, Profilgate is a simultaneously nostalgic, yet contemporary artist that sounds like no other that I can think of.Despite the solid 4/4 beat that permeates these three songs, there is a far more introspective sound that is what sets Anthony's project apart, and it is this clashing of style and approach that makes The Red Rope EP so compelling.
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