This is an Ache label release of spirited electronic experimentation by eleven different artists, all reworking a sample of sound originally created using only a bicycle. Track #12 is that source material, which you are free to use to create your own piece. While some contributors emphasise rhythm, others  favor smoother propulsion. Everyone avoids the temptation to hit-and-run with unnecessary power or weight, in favor of a lighter touch well-suited to this magnificent subject.

 

Ache

All but the best compilations can be patchy, naturally enough. Equally, a brilliant conceptual idea may turn out sounding forced and limited in execution. Thankfully, initial fears that Project Bicycle would be filed under Concept Sublime: Music Unlistenable are dispelled. This recording is jammed full of seductive contrast, yet also has a satisfying flow.  

The Aelters track "Roule Brouille" evokes a pleasing ride through a frenetic and sunny marketplace. Jab Mica Och El produces something juddering and melting that's not too far from Kid Koala, while Sun OK Papi K.O.'s simultaneously controlled yet deranged gear and pedal-spinning and horn-squeaking left me wanting more. The results can stand alone, but some of the extra layers of process are amusing: for his contribution, Greg Davis ran the sample through a hand-held tape recorder as he rode around on a bike.

DJ Elephant Power comes up trumps with "Bikebou" perhaps the most evolving and involving work, starting every bit as pleasingly scratchy and repetitive as a section of Xerophonics' Copying Machine Music, before releasing warmth and a climactic softness. Romanhead achieves a slightly brooding and even-paced sound, as does Wobbly, with the clang and pulse of 'Flee You' appearing to take place either underwater or in deep space.

Anyone who enjoyed hearing The Conet Project may find pleasure in the brief, fractured "Les Klaxons de Madame Dupont" by Uske Niko. On "Breaking Away" Jason Forrest manages a fairly subtle cinematic reference and appears to be sprinting into breathless Tour de France mode, only to come an almighty handlebar-flipping-chin-grazing cropper by not sticking to the brief, and, even worse, sampling Queen with predictable and disappointing results.

As mentioned, this music works well even without the listener knowing the concept. I suppose knowledge of the international lineup and accompanying essay on oil, global warming and general planet-friendliness may lead to certain conclusions, but I believe it mattered less to me than how the disc actually sounds. It may be obvious to suggest that this might make good listening for a bike ride, but I wouldn't recommend a rider missing the sounds to be heard out and about in the world. Anyway, watch for potholes and wear something bright.

 

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