Fat Cat
Fat Cat have compiled two discs that show them to be one of the mostdiverse and eclectic labels in the UK. I'd be surprised if you can'tfind at least a few tracks here to enjoy. The bait of a previouslyunreleased and fairly low key slice of Sigur Ros ambience opening thesecond disc is probably strategically placed to lure in their fans.Soon they'll be smacked about the ears by Xinlisupreme's anthemic synthsoaring "Murder License" which does distortion battle with Black Diceto see who can be the fattest cat. The Japanese duo win on brute force,but Black Dice know "Things Will Never Be the Same" for post-Boredomspsyche-stews after the "Murder License" has ben revoked. Mum's "GreenGrass of Tunnel" still retains its child like wonder and beauty afterso many plays and Party of One's bratty "Shotgun Funeral" is by fartheir best song and the only one I really need from them. Other albumexcerpts that ought to intrigue are the perky opener from David Grubbs'Rickets and Scurvy and one of the more concise and engaging tracks from Set Fire to Flames' low key desolate Telegraphs in Negative.Fennesz is always welcome round here and his "Badminton Girl" is awistful, exhausted summer evening memory fading, representing the FatCat split 12" series. Matmos, Duplo Remote, Kid 606 and Com.A also havea track each lifted from their splits, each shimmying on with fractureddancefloor moves. This does however beg the question of why they don'tcompile the split 12" singles onto CD albums once the singles are outof print. The label's weakest tendency is a penchant for middle roadquasi-avant pop and I could happily live without the sugar coatedtedium of Bjork and Funkstorung, the Emiliani Torrini remixes from TeamDoyobi and Process, and the gag-inducing Grain track. Mice Parade,Transient Waves, Him (misnomered as Seen) and the Dylan Group all coastby pleasantly making little impression. Giddy Motors stick out like ahammered thumb on the other hand, rockin' hard with the flipside of asingle that hasn't been on CD before. Almost everyone should find acouple of surprise tracks from someone they've never heard before thatimpresses. Stromba and Programme were the new finds for me. Strombatake a grooving Tortoise turn and Programme hit hard with a robustFrench rap meets Big Black drum machine onslaught. Sylvain Chauveau'shaunting piano isolation is a beautiful comedown to end the collection.

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