Irisarri’s latest album is not rooted in a particularly happy place, as it was recorded after most of his gear and possessions were stolen during a cross-country move.  The experience ultimately proved to be artistically liberating though: without his usual studio set-up or his backlog of material to work with, Rafael decided to use the occasion as an opportunity for an aesthetic rebirth.  That was the plan, anyway–to my ears, A Fragile Geography is not a particularly radical or revelatory transformation.  It certainly feels a bit more structured, composed, and grainy than before, but is still basically more of the likable and warmly hissing synth-based ambient music that I have grown to expect from Irisarri (albeit now with slightly broader appeal).  Fans of label head Lawrence English or early (read: less dissonant) Tim Hecker will likely find this album appealing, while longtime Irisarri enthusiasts will presumably require no adjustment period at all to appreciate his change of course.
The opening "Displacement" favorably (and unavoidably) calls to mind yet another of my favorite artists: Angelo Badalamenti.  While the resemblance is not at all derivative and "Displacement" is far too understated to recall any of Badalamenti's more iconic pieces, Irisarri does a masterful job of mingling hissing, dreamy beauty with a subtly menacing and disorienting undercurrent that suggests that something is not quite right.  While the piece never quite evolves into anything more, its lushly brooding ambiance is a very pleasant place to linger for four minutes or so.  The next several pieces thankfully get a bit more ambitious though.
The lengthier "Reprisal," for example, enhances an otherwise straightforward drone motif with an inspired array of hollow, whooshing, undulating, and shimmering textures as it gradually snowballs in power and volume.  I especially enjoyed how the more static-like/white noise elements blossomed to take over the foreground as the more melodic elements faded into the distance.  "Empire Systems" is yet another highlight, as a slow-moving drift of chord swells gradually surge in power while increasingly fraying around the edges.  The following "Hiatus" is even more inspired, as Irisarri enhances his usual chord pattern with a nimbus of wobbly, fluttering, and strangled-sounding synth tones.  Sadly, it only lasts for about two minutes though.  The much longer "Persistence" achieves a somewhat similar (if lesser) feat, but its appealingly quivering and burbling tones are regrettably pushed to the background by the piece’s languorous and melancholy melody.
That unfortunate penchant for getting bogged down in melancholy completely takes over the closing "Secretly Wishing for Rain," which is an 8-minute slog of sad piano arpeggios, gloomy synths, and cello from guest Julia Kent.  That type of overt, mopey melodrama leaves me quite cold and is probably the best illustration of the gulf separating Irisarri from the genre's top tier.  Another somewhat exasperating facet of A Fragile Geography is that each piece feels like a single motif extended and embellished until Rafael eventually loses interest and fades out.  It is certainly possible to make great ambient or drone music with that approach (and many artists have done so), but the trick is to not be so transparent about it.  Also, it is perplexing that two of the album’s strongest themes wind up being represented by the shortest songs ("Hiatus" and "Displacement").
All grumbling aside though, Irisarri is absolutely wonderful at detail and texture, which makes a piece like "Reprisal" an extremely compelling headphone listening experience (there is something hidden in there that sounds like a submerged field recording of wolves or whales that is completely lost without them).  Consequently, "Reprisal" gets an enthusiastic, heartfelt, and unqualified recommendation from me.  I just wish the other five pieces had hit similar heights (or at least stuck around longer when they hit them).  Irisarri definitely needs to get better at playing to his strengths.  Also, there should probably be more whales and wolves on future albums (or at least more prominent use of field recordings, as Rafael's use of unusual/buried textures is probably what most differentiates him from the ambient drone herd).  That said, A Fragile Geography is still at least half of a very good album and marks a promising step forward for Irisarri.  I suspect that his best work is still ahead of him.
 
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