Shadow Huntaz,"Valley of the Shadow"http://www.skam.co.uk" target="new">Skam
Skam's hip hop ambassadors the Shadow Huntaz are back with another full length of trans-atlantic collaborations with their brothers-in-arms the Funckarma production crew. Shadow Huntaz Skam debut was a breath of fresh air that fused classic American hip hop with contemporary European electronica in a way that others had flirted with, but not quite achieved. The follow up <i>Vampire EP</i> was more of the same, but showed that when the Huntaz put their minds to it, they could create a truly brilliant track. With <i>Valley of the Shadow</i>, the team is once again mining the same basic well of sounds and lyrical topics that were covered in the previous two records, which makes <i>Valley</i> seem more like a continuation of <i>Corrupt Data</i> than a next-step in the group's evolution. The beats are all synthesized, featuring heavy kick drums and noise-pong snare and high hat patterns that mimic the rhythm of classic hip hop but interpret it in the mode of minimal techno. Samples are few and far between (at least samples that haven't been processed into blurry washes of filter noise) and that's what keeps Shadow Huntaz from sounding like other contemporary hip hop artists who are being sold to the Warp/Planet Mu buying public. While hip hop has always been a mash up of sampled grooves and synthetic ones--a world of producers and MCs-- the hip hop aesthetic itself has been diluted so much in recent years that collaborations such as this one tend to sound at times like a production team and a vocal team playing together, but not exactly on the same page. There's the hint of an all-too-convenient pairing of styles that smacks at times of a record executive's idea of capitalizing on the laptop generation's love of all things hip hop. I have no doubt that Shadow Huntaz are the real deal, and that they take this work seriously, but with a back catalog of excellent releases, this one just doesn't seem as exploratory as it should. Occassionally as on "Radically," Shadow Huntaz amaze with fluid, intelligent rhymes over simple beats that don't get in the way of themselves, and give the words room to breath. "Radically" is the reason to buy a record like this because it's a near-perfect synthesis of styles that doesn't step on any one sensibility, but focuses different ideas together to be something greater. The brilliant tracks like this though, have to be weighed against the filler tracks full of typical rap bravado and stories of sexual conquest, or the tracks that out-spaz themselves in mindless worship of the twitch. These tracks aren't risk-taking when one considers the success of other indie hip hop records that are pitched to the same audience. Shadow Huntaz as MCs have formidible skills on the mic, and Funckarma are studio wizards capable of slick, bouncing production, but by the end of "Valley of the Shadow," I get the sense that the two sets of minds have done all that they can do together. Hip hop is naturally progressive music, much like the digital cut up techno from across the pond, but we've heard all of this before, and while some of it is still great and will make it into many DJ sets, it just isn't pushing down walls the way it could be.
- <a href="/brain/contributors.html">Matthew Jeanes</a>
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