Steve Wilkes leads this ecletic group of percussionists who released their first record in 1997. Wilkes, former drummer for the Blue Man Group, wanted to create a sound that was based entirely in modern drumsets with different stylings. The members would create sound collages that would, in a way, force the drums to take on the different roles other instruments normally play in a band: one would be the voice, one the rhythm, one the interesting flourish, etc. It's certainly an interesting concept, that's for sure.
Hourglass Records
'Simmer' is their second effort, which expands on the concept by establishing themes for improvisational exploration, then allows each member to meld their own style into the mix. It's a difficult listen, one that you have to really be into to get. It is the mix of these styles that gives the music little hook for the listeners, but that can also be due to the fact that it's sometimes hard to get a handle on what's going on (what parts are being played by different drummers, and what the overall style is). It does, however, have some amazing moments: 'Sacred Smoke,' for instance, takes some very tribal rhythms and forces them with sheer power and cutting cymbal use. 'Six Hop,' on the other hand, is begging to be the backing track to an outstanding freestyle rap in a seedy, underground jazz club open mic night while the title track is nothing short of a revelation, as the band members all work together in such a fluid way that it blends into a blur of styles and rhythms. Six Drumsets is an interesting project with larger-than-life hopes that often confuses rather than amazes. What else can be expected from someone who used to be a Blue Man?
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