Like the title implies, the songs on this mostly electronic compilation share a similar chilly aesthetic. They also share a tendency to stray into dark territory, making this collection an excellent soundtrack for an eerie winter’s night.

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Haunted Sound Laboratory’s "Ghost in the Blood (live)" starts things off appropriately enough with a simple heartbeat and heavy breathing. Various rattles and drones venture forth from the shadows only to recede from whence they came. It’s hard to guess where the sound will come from next, and it’s this unpredictability that makes it an ideal opener on a compilation of left turns. The album builds intensity with a few beat-oriented songs, including Danny Hyde’s intriguing remix of Mink’s "Ride," before heading for starker territory with tracks by the likes of Black Sun Productions, a Mort Douce remix by Tactile, and a pensive collaboration between Sid Redlin and Gregory Rapp. The album veers again, this time brightening somewhat with more beats and a greater emphasis on vocals than previously. Kuxaan-Sum turns in some haunting whispers on "La Mentor De’Morte" before giving way to NOT’s rocking "To Taka Gra." The latter seems a little out of place amid so many electronic acts, yet it’s a decent track and doesn’t derail the mood completely. The album’s most abrasive song comes from Bad Wolf, whose "Die Ostara Satan America" is composed of various rhythmic static, electronic squeals, and industrial groans. The last few songs head in a quieter direction, beginning with 3z13’s bubbly "They Don’t Know" and ending with "Searching for Life in the Ethane Oceans" by The Insektys Isotope, probably the compilation’s coldest, sparsest track and its perfect ending.

While there may be a couple of lulls, there are no outright duds to be found. The sequencing plays to the strengths of the individual songs and changes pace at all the right times to keep the listener engaged as it unfolds along every stage, with enough variation to make this album a rewarding, compelling experience.

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