This is the second release from Eamon Sprod's field recordings project and a wonderful collection of sound collages. In spite of a fairly hackneyed premise (the beauty in decay), he has created a number of fragile compositions that wander somewhere between Chris Watson's clear recording style and Francisco Lopez's disorientating approach to presenting sound.
One thing that must be said about Wind Keeps Even Dust Away is that it requires full attention to appreciate. Many of the sounds are very quiet and variations in volume throughout the album mean it is definitely not something to listen to on a portable media player or in the car. With the right listening environment, the detail on offer is mesmerising. The key word here is texture (which is obvious from the macro photography of the album's sleeve) as Sprod explores everything from the fine grain of a strong wind on "Keeps" to the unidentifiable hiss of "Dust" (it sounds like rain but the promotional material insist that any water sounds are a trick of the ear). This is music I want to touch.
Sprod plays with dynamics in a similar fashion to the aforementioned Lopez. On the opening piece there is a constant drone cut short by the shattering of glass. The glass is not significantly louder than the ambience that precedes it but the sounds are different enough for the transition to be jarring. The silence that ensues is quiet indeed. The volume ebbs and flows on all of the pieces in surprising and captivating ways, it is like the soundscapes are there to habituate the listener to a sound before shocking them out of their comfort zone.
The album closes with the superb "Away." Here, Sprod goes wild with all his techniques and saves his most interesting recordings for this piece. It is 13 minutes of disturbing moods and seriously unsettling sounds ranging from a thunderstorm of metallic clangs to something that sounds like a man made from glass cracking his knuckles. This piece is worth the cost of the CD alone.
I have always had a soft spot for field recordings and found sounds but finding artists that can either record sound in a way that captures the essence of the location or can use raw recordings in a creative manner is difficult to say the least. When dealing with sound works like this, it is the little details that make or break an album. Luckily Sprod has a good ear for details and brings the most out of them when assembling his compositions. The care and detail that have gone into Wind Keeps Even Dust Away make it a very satisfying listen.
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