Thalia Zedek is a true original, with a voice hewed by years on the road fronting aggressive outfits, her musical stylings born out of influence but still uniquely hers. Her latest is a dynamo: a strong step forward on a new label and a powerful piece of work overall.

Thrill Jockey

Recorded at the godspeed-famous Hotel2Tango in Montreal, these songs represent the natural coagulation of the performer to her backing band after two years of touring. The album was recorded and mixed in eleven days, utilizing only analog recording techniques, so there was little room for error. It appeared not to make any difference, as the core group plays seamlessly, with a force that defies description. Zedek's voice is in fine form, as usual, and the musicians drive on without reservation as she digs deep within to pull out some refreshingly honest and personal subjects. Since the dissolution of Come, Zedek seems to have delighted in taking chances here and there, displaying a willingness to explore or stab towards something besides pure bombast. On these songs, the explosiveness starts to win again, as the mournful instrumentation grows in volume and density, and her cries rise to meet it all. "Ship" starts the record in a slower vein, but it is not to last, as the song suddenly shifts into a modified shuffle, with plaintive suggestions to one about how to proceed with life. Everything slows at the end again, almost as a release: with these words off one's chest, the calm returns. But each song returns to plumb the same territory, with slower somber moments being blown away by the strength and weight of the music and the words that follow them, right up until the shrieking distortion of "Hell is in Hello." Even when it seems like it's been sung by Zedek before, even earlier on the same album, all is forgiven as it is still a pure, raw and honest performance. Most of all that is Thalia Zedek's mark: she is herself, through and through, and that invitation into her innermost thoughts is getting more and more dangerous and thrilling as the years go on.


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