Hidden Art
If I could leave this year with one thought for each reader to hold, itwould be to consider how lucky you are. How lucky everybody readingthis is to have access to a computer and is literate enough to read,because, even if you're not reading these words on your own computer,you're probably living in a society where you can voice your opinions,vote, read, work, and educate yourself. It's ironic that after threeyears in the making, Grant Wakefield's project is finally availablejust as the USA and Great Britain are making plans to wage war again onIraq. Facts, samples, quotes and narrations alone usually end up in asea of public radio, where the words rarely fall on ears that aren'talready somewhat aware of some of the tragedies that have been carriedout through bombings or years of sanctions and inescapable radioactiveaftermath. What Wakefield has done is piece the words together withexclusive music from Aphex Twin, Bola, Speedy J, Orbital, and a numberof others. The story is arranged chronologically, from the pre-Europeanhistory, through the early 20th century, through events that lead up tothe Gulf War and its aftermath, the music underlines the narration andclimaxes at appropriate points of tension. While the messages at timesfeel somewhat force-fed through hip techno music, it almost feels likeit needs to be at this point, since the gung-ho messages from thewar-mongers is being even more force-fed through the media as news. Itsgoals, as described by the full title, are "deconstructing the GulfWar—a permanent record of the fate of Iraq and a guide to the languageof mass media propaganda." The story is, unsurprisingly more horrificbeyond imagination, with an angle not entirely unlike Michael Moore'sin "Bowling for Columbine," where the media is clearly exposed forbeing manipulated by superpowers and driven by capitalism rather thanfocused on facts and humanity. But don't rely on Wakefield's wordsalone: guests include President Bush (senior), Madeline Albright,Oliver North, comedian Bill Hicks, and numerous world leaders,unidentified soldiers and victims in their own words. It succeeds as acommentary and should be recognized as such. Wakefield isn't crying outagainst evil Western empires nor is he providing solutions forindividuals who do not wish to support the campaigns of their owngovernments. Thankfully, we're fortunate that one of the benefits of USmilitary funding gave us the internet, and Firethistime.orgpicks up where the recordings have left off, providing more informationto read and links for people to get involved. If you love the bands butfeel this is a glorified public service announcement, a second CD hasbeen provided with instrumental versions. Hopefully you will take thetime to hear the first disc out and make up your own mind for yourself.

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