When Mineral disbanded following the completion of their second record, 'EndSerending,' many fans of their brand of plaintive and emotional rock were stunned and dismayed. In just a short time, Mineral had not only amassed a loyal following and had been courted by a number of major labels—even signing with Virgin but calling it quits before they could record anything—but they had also nearly changed their sound completely. Once a punk-laced energetic emo band like Sunny Day Real Estate, they were now fans of sprawling melodic structures with even more soaring vocals. Founding members Chris Simpson and Jeremy Gomez decided to continue making music together under the moniker The Gloria Record, and released several EPs and singles on Crank!. With this, their first full-length, the Gloria Record accomplishes the same growth in sound Mineral showed from their first LP to 'Endserenading.'Arena Rock
Where as before their sound was more acoustic in nature, with mellower songs and themes, now The Gloria Record is an accomplished indie rock band with some very interesting textures and flavors. They've finally hit their musical stride, featuring keyboards and distinct drumming, chiming Sundays-like guitars, and Simpson's vocals soaring above it all with a renewed sense of glory. The album opens with the synth-drenched title track, but soon shifts to the fervor and drive of "Good Morning Providence," eclipsing anything these musicians have been involved with previously. Things move pleasantly along with "Cinema Air," with its lyrics the most impressive of the lot—and the frolic of "The Immovable Motorist," which is a mostly somber affair with a hospital/death mixed with driving theme. "My Funeral Party," "I Was Born in Omaha," and "The Ambulance" are phenomenal arrangements, surpassed only by "The Overpass," burying them all in piano and Simpson's falsetto. Fans of Mineral should like this new sound, but fans of Death Cab for Cutie and the like will also love this release.
 
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