Matador
Vancouver's super-group has released their third album of jangly,beautiful, meticulously-crafted pop. It's joyful. It'sheartfelt. Every note is perfect, every beat is in lockstep,every instrument has been equalized for maximum integration; it's likelistening to a warm diamond, or an outtake from a George Martinrecording session...one starring a lot of musicians with endless ideasand a fondness for diluted psychedelia. But when theperfection of it all becomes cloying (especially the crispness of theinstruments and the hey-hey "sing-along" style of the vocals), or whenthe lyrics get too annoyingly ambiguous and arty-farty, it's still hardnot to enjoy what Twin Cinema strives to be and achieves: an album ofpop songs which just plain sound good.
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