So I'm playing Grand Theft Auto: Vice City the other day, or, as I like to put it, my new "vice". Yes, I'm witty. [keep trying - ed.] Anyway, this game takes place in the eighties, and I noticed that they chose to get the rights to actual music this time instead of inventing their own, which probably put a lot of mediocre artists out of work. It's a better game for it (nothing like running over a street hustler while listening to "Broken Wings"), but after eight straight hours of gameplay, even that can get tiring, especially when you consider that each station only has about eight or ten songs.

Upper Class

So, I decided to combine my efforts, and listen to some music that I'd like to review. Sure, it may be a bit incongruous, as this music probably will seem out of place playing an eighties game, but I could certainly use a break from Twisted Sister. What a surprise when I put on this release from the Russian Futurists, aka Matthew Adam Hart. Hart's first album gathered critical acclaim for its songs as well as for its story—he recorded it on a shoestring budget in his childhood bedroom. At 23, Hart was being heralded as a new pop sensation. Now, at 25, this follow-up puts him on the map again with an even larger population statistic. This music is a real growth, even though the feeling is very much the same. 'Crumble' is a declaration as well as a continuation, as if Hart is saying he's here to stay, so deal with it. His music has a very eighties flavor with a very nineties execution, and the songs are catchy, moving, energetic, and concise. It's all very high concept, low execution, but don't discount him for lack of flashy production. "When the Sun Drops Like an Anvil", with its "Ruby Tuesday"-like chorus and sing-song repeat background vocals is a great synth-pop number that will remind you of that middle school dance where you first danced with that special someone. "Precious Metals" bounces with authentic hip hop moxy, and "Your Life on Magnetic Tape" feels almost like the Monkees and Wayne Coyne recording on synthesizers. It's perfect music for Vice City, but after time, I had to turn off the game and just listen. It fits so well today, too, and it's a shame to waste this music on a video game.

 

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