Release Date: June 24th 2008

Infinite Suns begins a new era of change in the Telescopes music field. This LP is very much number one, the introduction to a serie of release (2 new albums and one live recording)

Out on the french label Textile Rds.

This new LP is a selection of analogue tape recordings taken  between 2006 and 2007, using a multi directional mic to capture environmental response.  Recording levels were set close to saturation, allowing for interaction with the tape machine itself.  Side one closes with a piece centered around a lock-groove from the run-out of The Telescopes first album and is lock-grooved again to play endlessly.  The recording took place in a room used by a deep trance medium to hold investigative seances.  The album ends with The Telescopes channelling out on each others instruments.  The sound of earthquakes dreaming, where black holes reveal infinite suns.

The Telescopes have been mining  a unique anti-myopian seam of drone/dream psych for 20 years. Expertly bolting gritty blocks of noise, rich with fossil and sediment, onto minimal songs and melodies which are miles apart and miles beyond the reams of drone/ambience out there. In 2006 The Telescopes became a collaboration between Bridget Hayden and founder member Stephen Lawrie. Bridget was an original member of Vibracathedral Orchestra.  The two met briefly when The Telescopes and VCO shared the bill at Audioscope festival in 2004, where The Telescopes finished their set by drilling through gtr pickups.

Following a narrow escape from a burning wreck on their UK tour in 2005, The Telescopes 5th line up disintegrated. And In 2006 Bridget left VCO to explore new ventures.  Bridget had already been working with Stephen on the Dream
Frequencies artwork for The Telescopes Antenna label.  Both were shocked by the intensity of their first session together.

As a volcanic two piece scythe spent 2006 spreading free noise around England, Scotland, Ireland, The Canary Islands, West Coast of America, Italy and Austria, recording all the time. Their first release for the Trensmat label sold out within an hour. Their second release for the label sold out a month in advance. Copies of the releases have been known to exchange hands for over 25 pounds.

Together they harness a primeval drone, rich in texture, and build it beautifully in unison with soaring feedback, guitar manipulation & viola which forever spiral outward, fractal and hypnotic - a bed of noise percolating at the edges of audition.


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